Kodachrome

Kodachrome, released in 2017, is a sentimental, heart-tugging drama that blends the themes of family, redemption, and the nostalgic lure of analog technology in a digital world. Directed by Mark Raso and boasting performances from seasoned actors such as Ed Harris, Jason Sudeikis, and Elizabeth Olsen, the film poignantly explores the strained relationship between a dying father and his estranged son from the backdrop of a poignant cross-country road trip.

This emotionally resonant film revolves around Ben Ryder (Ed Harris), an eminent yet aging and seriously ill photographer, famous for his sharp aesthetic captured through Kodachrome film. A solitary man with a reputation for estrangement, Ben learns that the manufacturer will cease production of his beloved Kodachrome film, making it near impossible for him to get some undeveloped Kodachrome film rolls processed.

His son, Matt (Jason Sudeikis), at the same time, is grappling with his own professional and personal struggles. A record label executive facing redundancy amid the sliding popularity of rock music, Matt’s passion for music is becoming obsolete in a rapidly changing industry. He has lived for years in the shadow of his father’s towering success and unceremonious rejection regretting their estranged relationship.

In a surprising turn of events, Ben’s nurse, Zooey (Elizabeth Olsen), persuades Matt to accompany his cantankerous father on a road trip. The journey stretches from New York to the last store in America that still processes Kodachrome film, located in Kansas. Their journey filled with bitter memories, uncomfortable truths and opportunities for redemption forms the backbone of the narrative.

What makes Kodachrome intriguing is its thought-provoking exploration of the flawed and complex characters that Harris, Sudeikis, and Olsen portray impeccably. Supporting performances also add depth, enhancing the ensemble cast’s noteworthy work. Despite his failing health and rough exterior, Ben, played by Harris, refuses to let his creativity wither. Sudeikis, known for his comedic roles, brings a surprisingly earnest quality to the disillusioned Matt. And Olsen’s Zooey is a comforting presence amid the turbulent father-son relationship, providing emotional support as the duo confronts their unspoken resentments and disappointments.

On another level, Kodachrome is a tribute to the bygone age of analog technology, focusing specifically on the obsolescence of Kodachrome film. The film uses this artifact as a symbol to depict the impermanence of life, the inevitability of change, and the need for adaptation. The storyline elegantly interweaves the fond nostalgia for the irreplaceable Kodachrome era and the unavoidable acceptance of the digital age. Without preaching or becoming overly sentimental, the film sprouts several moments of reflection about the constant flux of life and the significance of preserving precious moments.

Lush cinematography by Alan Poon strikes a delicate balance between the bleak realities of the characters and the scenic landscapes of the American Midwest, reminding viewers of the vibrant color quality unique to the Kodachrome era. The sound design and score beautifully complement the visuals, underlining the emotive thrust of the narrative.

The film is based on an original New York Times article "For Kodachrome Fans, Road Ends at Photo Lab in Kansas" authored by celebrated New York Times journalist, A.G. Sulzberger. Through its poignant screenplay adapted by Jonathan Tropper, Kodachrome beautifully translates the essence of this news story to screen.

Ultimately, Kodachrome is a thoughtful and moving film, filled with universal themes of loss, regret, and reconciliation. It encourages viewers to reassess their relationships and the value of forgiveness while subtly commemorating the nostalgia associated with an era of technology now past. The strong performances, artful direction, and thoughtful storytelling make this an engaging drama that leaves a lasting impression.