Love Is Now

Love Is Now is a mesmerizing 2014 Australian romantic drama film that redefines the nuances of contemporary love and passionate engagement in life. Presented by Snapdragon Films and directed by Jim Lounsbury, this film illustrates an extraordinary trajectory of journey and love shared between two passionate photographers. The narrative brilliantly connects love, passion, loss, and self-discovery in an engaging script that keeps the viewers absorbed from beginning to the end.

In Love Is Now, the lead roles are portrayed by the talented trio, Eamon Farren, Claire van der Boom, and Anna Torv. Farren plays the character of Dean, a romantic and passionate photographer who has an adventurous spirit. His personality reveals a blend of creativity mixed with charm which makes him unpredictable yet enchanting. On the other hand, Van der Boom embodies the character of Audrey, Dean's love interest. She is portrayed as an independent woman, fiercely passionate about her photography and deeply inclined towards her love, Dean. Anna Torv plays the role of Virginia, Audrey's friend, and confidante, adding a layer of complexity to the narrative.

The mesmerizing visual sequences and poignant emotions within the movie begin from a chance meeting between Dean and Audrey at a local store in bustling Sydney, where they discover their shared love for photography. What ensues is a passionate love affair that leads the viewers through an emotional narrative set against the backdrop of beautiful landscapes and varying seasons of life.

No scene in the film is devoid of a touch of aesthetic beauty. Whether the characters are capturing moments on their cameras or sharing intimate dialogues, every frame is artfully crafted, making the narrative visually rich. This not only adds a unique artistic flair to the movie, but it also creates a symphony between the story and its visuals, leading to an extraordinary cinematic experience.

Their shared love for photography stipulates the course of their love affair, effectively using the metaphor of the camera lens to depict varying perspectives on life, loss, and love. Together, Dean and Audrey embark on a photographic journey across Australia, an adventure that goes beyond mere travel. The journey beautifully peels off layers from their relationship, intensifying the bond they share, meanwhile, fuelling their passion for photography.

The film takes an unexpected turn when the characters find themselves grappling with loss and despair. The narrative delves into the exploration of grief, and how it fundamentally alters the course of one's life. The depiction of loss in the film does not just explore the depths of sadness, but also the innate potential for transformation that it holds, pushing the characters towards introspection and self-growth.

The soundtrack of Love Is Now deserves special mention. Composed by Kram, the music blends seamlessly with the elements of the film, amplifying the emotions and setting the mood just right. The ballads are poignant and passionate, the tunes melancholic and haunting, embodying the essence of the narrative.

The cinematography of the film, shared between Anthony Jennings and Hugh Miller, warrants high praise. The breathtaking visuals not only offer a scenic tour of Australia's landscape but also complement the unfolding narrative. It’s almost like the cinematic lens emulates the camera mechanism to capture the beauty unfolding in their lives.

Lastly, the performances by Eamon Farren and Claire van der Boom greatly heighten the emotional depth of the film. Their chemistry is noticeable and heartfelt, making their romance look authentic and compelling. They balance each other’s character, creating an intriguing dynamism on screen. Anna Torv, in her supporting role, also provides a stellar performance, adding to the richness of the narrative.

Summing up, Love Is Now is a beautiful exploration of modern romance and self-discovery. It intricately handles themes of love, passion, and loss, painting an evocative picture of life's ups and downs. The film is certainly touching and thought-provoking, offering a refreshing outlook on life and love that stays with you long after the credits roll. Above all, it advocates for embracing the unpredictable nature of life and cherishing the moments as they come, just as a photographer would click photos and treasure them forever.