Mad to Be Normal

Mad to Be Normal is a 2017 British film directed by Robert Mullan, starring acclaimed actors David Tennant, Elisabeth Moss, and Michael Gambon. The biographical film delves into the life and work of one of the most unconventional and controversial figures in the mental health field, Dr. R.D. Laing.

The film presents a vivid, insightful exploration of Laing's methods and his unwavering belief in the efficacy of his practices. Known both for his inspirational insights and his controversial methods, Laing's unusual approach to treating severe mental illnesses, specifically schizophrenia, sparked significant discourse during his time and is well-portrayed throughout the movie.

David Tennant brings remarkable intensity, charm, and depth to his role as Dr. R.D. Laing, elevating an already compelling character to powerful heights. Fondly known for his roles in the television series Doctor Who and Broadchurch, Tennant removes all layers of his persona to step into the intense and provocative world of Laing's mental health revolution.

Elisabeth Moss, recognized for her remarkable performances in Mad Men and The Handmaid's Tale, delivers a sterling performance as Angie Wood, Laing's longtime lover. Her character provides an insightful viewpoint into Laing's transformational journey, as she grapples with his ideals, ideals that constantly challenge the conventional wisdom of the era.

Michael Gambon, famous for his role in the Harry Potter series, brings his multifaceted acting mastery to the role of a character grappling with Laing’s unconventional treatment methods. The depth and richness of Gambon’s experience help to seal the drama’s widespread appeal.

Mad to Be Normal takes place during the 1960s, specifically focusing on "Kingsley Hall", a community-based psychiatric facility in East London. Laing's establishment was quite different from traditional psychiatric institutions; it was a sanctuary where the divide between doctors and patients was intentionally blurred. Instead of traditional practices involving sedation and electrotherapy, the patients at Kingsley Hall were encouraged to explore their psychoses without interference, in a safe, accepting environment.

The film is not just a biography of a brilliant but flawed man who revolutionized psychiatric treatments, it's also a robust exploration of the treatment of mental illness and its social implications. The filmmakers have done a commendable job of avoiding sensationalism, instead, delivering a thoughtful, deeply empathetic immersion into a vastly complex subject matter.

Director Robert Mullan, who himself spent time in one of Laing’s communities, provides a clear-eyed and compassionate vision of the psychiatrist's methods, focusing on the reputational and personal sacrifices he made. The film neither deifies Laing, nor demonizes him but presents an objective portrayal of his innovative treatments while also showing the tumultuous personal journey he undertook.

The cinematography captures the era perfectly, with the color palette and camera angles working together to create a clear distinction between 'modernity' and 'innovation', juxtaposing Laing's alternative treatment center against the backdrop of a more conservative society. The production design deserves a notable mention as well - the eccentricities and chaotic environment of Kingsley Hall serve as a stark contrast to the sterile confines of conventional psychiatric hospitals of the period.

Mad to Be Normal is a thought-provoking, well-written film that may not provide viewers with easy answers, but certainly offers them a captivating outlook on mental health, treatment, and liberation. The compelling performances by the ensemble cast, the insightful direction, and the poignant screenplay make this biographical drama a must-watch for anyone interested in the human psyche, as well as fans of British cinema. Amidst the sometimes shocking moments and the undeniable charm of its main character lies a deep, affecting message about human healing, acceptance, and perseverance. The film suggests powerfully that often, the key to understanding and treating mental crises lies as much in empathetic connection as medical intervention.