Me, Myself and Her

Me, Myself and Her is an evocative and heartwarming Italian film released in 2015. The film stars some of Italy's finest actors, including the award-winning Margherita Buy, Sabrina Ferilli, and Fausto Maria Sciarappa. It delves into the complexities of human relationships, presenting a compelling narrative that tugs at the heartstrings of audiences everywhere.

This comedy-drama-romance movie is an exploration of love in its many forms and iterations, with a particular focus on same-sex relationships, something rarely focused upon in Italian mainstream cinema, making it a trailblazer in its own right. Directed by Maria Sole Tognazzi, the film depicts an intimate portrait of a lesbian relationship, breaking barriers in the conservative Italian cinema while championing a more open discourse on love and relationships.

Margherita Buy plays Federica, a cool and reserved architect, while Sabrina Ferilli portrays the outgoing ex-actress Marina. Together, they form an unlikely yet endearing couple, navigating the intricate world of love and relationships. The title itself, Me, Myself and Her, hints at the introspective journey each character undertakes, as they grapple with personal insecurities, societal expectations, and the very notion of identity.

Beyond its broader societal themes, the film is a celebration of love's complex layers, showcasing how two different people can form a compelling partnership. Federica and Marina's love story is filled with laughter and tears, successes and failures, challenges and victories. Despite their differences, they work together to write their own narrative, a love story that is uniquely theirs.

Ferilli and Buy deliver stunning performances, imbuing their characters with depth and complexity. The chemistry between Marina and Federica is palpable, and audiences can deeply feel their shared history, their fears, their love, and the whirlwind of emotions that their relationship brings. The supporting cast, featuring Fausto Maria Sciarappa, enhances the movie's narrative, adding further dimension to its portrayal of love and life.

The film is set in the picturesque city of Rome, providing a beautiful backdrop for the unfolding story. The city acts as a silent character, its winding streets and timeless architecture mirroring the twists and turns of Marina and Federica's relationship. The unassuming beauty of Rome adds an extra layer of depth to a story that is primarily a deep exploration of relationships and personal growth.

Me, Myself and Her also delves into the societal perception of same-sex couples, presenting a raw and realistic depiction of the struggles they face. The director, Tognazzi, remarkably takes on this challenging subject matter, dealing with it in a sensitive yet candid way. The film brings to light the often overlooked stories of the LGBTQ+ community, and boldly tackles these issues in a heartfelt and empathetic manner.

What is most notable about the film is its universality, as it speaks not only about same-sex relationships but about love and life in general. It beautifully showcases the ups and downs that come with loving another person, the sacrifices that love entails, and the joy it brings. The film is about love and life in all their messy, chaotic, and beautiful glory, featuring moments of great joy and deep sorrow, moments that all viewers can relate to on some level.

In summary, Me, Myself and Her showcases the complexities of life and love. The film revels in the understanding that love is not always easy or straightforward but is always worth fighting for. It is a brave and beautiful film that explores a rarely tackled subject in the Italian film industry, making it a must-watch for any film enthusiast.

While its central theme is a lesbian relationship, Me, Myself and Her expands beyond niche audiences to reach anyone who appreciates a well-told story about love, relationships, and personal growth. A captivating mix of comedy, drama and romance, the film stands as a testament to art's power to provoke thought, evoke emotions, and inspire dialogue on societal themes.