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Me, Natalie

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PG
1969

"Me, Natalie" is a 1969 American coming-of-age comedy-drama directed by Fred Coe and starring Patty Duke as Natalie Miller, a young woman grappling with self-esteem issues and her journey towards self-acceptance and independence. The film marked Duke's first adult role after her success as a child actress, particularly her Academy Award-winning performance in "The Miracle Worker."

Set in the vibrant New York City of the late 1960s, the movie captures the essence of a generation in flux, embodying themes such as the quest for personal identity, the yearning for connection, and the struggle to find one's place in an ever-changing world. Natalie is introduced as an awkward and plain-looking young woman from a working-class Jewish family in Brooklyn. She feels like an outsider in a society that prizes physical beauty and traditional feminine roles, both of which she perceives herself to fall short of.

From the beginning, Natalie's narrative revolves around her complex relationship with her appearance and how it affects her interactions with her family, friends, and herself. She deeply internalizes the societal pressures that equate physical attractiveness with worth, and this struggle with her self-image colors her actions and choices throughout the film.

As the story unfolds, we find Natalie grappling with the typical issues facing a young woman of her age. After her high school graduation, she watches as her friends begin to marry and settle into conventional lives, while she remains unsure of her own path. Fostered by her feelings of inadequacy and invisibility, Natalie is both cynical and yearning when it comes to love and belonging.

James Farentino plays the role of David Harris, an unconventional and charismatic artist who becomes Natalie's neighbor and friend. His presence serves as a catalyst in Natalie's life. His bohemian lifestyle and free-spirited nature open up a new world to her – one where the conventional standards of beauty and success are not as rigid as she once believed. David challenges Natalie to see herself in a new light, pushing her to realize her potential beyond her perceived limitations.

Meanwhile, Martin Balsam plays Natalie's loving yet overbearing father, who wants the best for his daughter but can't quite grasp the changing tides of the youth culture and the burgeoning feminist movement. His old-fashioned expectations and his affection for Natalie often collide, creating a complex family dynamic that further influences Natalie's struggle to define her identity.

Although the film is anchored in Natalie's personal evolution, it is also steeped in the larger cultural and social changes of the time, exploring themes of sexual liberation, the pursuit of creative expression, and the dismantling of traditional gender roles. The film does not shy away from showing the harsh realities of life in the city, including the loneliness and disconnection that can lurk beneath its exciting facade.

Throughout the movie, the narrative interweaves lighthearted, comedic moments with deeper, more poignant scenes. The viewer is privy to Natalie's interior life, her innermost thoughts, and her biting humor, all of which bring complexity to her character. This depth allows the audience to empathize with her as she navigates the challenges of young adulthood.

The aesthetic of "Me, Natalie" is steeped in the feel of the 60s. The film's cinematography captures the look and atmosphere of the time, featuring the architecture, fashion, and energy of New York as an ever-present backdrop to Natalie's personal journey. The soundtrack enhances the movie's emotional beats, with a score that can be both reflective and lively, mirroring Natalie's fluctuating moods and revelations.

As Natalie's story progresses, the narrative arc takes her through experiences of love, rejection, friendship, and self-exploration. Her interactions with David and other characters help shape her understanding of herself and her desires, often challenging her previously held beliefs. This transformation is portrayed with sensitivity, allowing the viewer to witness the incremental shifts in Natalie's confidence and sense of self.

"Me, Natalie" was significant for its time, providing a female-centric story that was both relatable and inspiring. It offered a portrayal of womanhood that was not filtered through the male gaze or traditional narratives. Patty Duke’s portrayal of Natalie earned acclaim for its honesty and emotional depth, bringing relatability to a character that serves as an emblem of personal growth and the search for authenticity.

The movie culminates in a culmination of Natalie's experiences, reflecting the universal theme of finding one's voice and place in the world. It celebrates the idea that everyone, no matter their outward appearance or societal norms, has an intrinsic worth and a right to seek happiness and self-fulfillment. "Me, Natalie" remains an engaging film that addresses timeless issues, resonating with audiences across generations.

Me, Natalie is a Drama, Comedy movie released in 1969. It has a runtime of 111 min Critics and viewers have rated it moderate reviews, with an IMDb score of 6.4..

6.4/10
Director
Fred Coe
Stars
Patty Duke, James Farentino
Also directed by Fred Coe