Mean Johnny Barrows

Mean Johnny Barrows is a 1975 crime-drama film directed by and starring Fred Williamson in the titular role. The film comprises a talented lineup of actors such as Roddy McDowall and Stuart Whitman, both of whom add a blend of uniqueness to their respective characters. The film is structured around the life of an discharged army officer who unwillingly gets entangled in the nefarious world of organized crime.

Mean Johnny Barrows initiates with our lead character, John Barrows (Fred Williamson), a highly talented and decorated yet disillusioned army officer who is dishonourably discharged for a crime he did not commit, essentially, being a victim of a racial hate crime. His reputation tarnished and hope subdued, he finds himself diving into an existence of unemployment and homelessness, wandering the streets of Los Angeles.

Featuring a compelling narrative and dramatic tension, the film builds upon the inherent divide and animosity between Italian and Mexican crime organizations in Los Angeles. When Johnny inadvertently saves the life of Don Da Vince (Stuart Whitman), an influential figure in the Italian crime organization, he is grudgingly pulled into the sordid and dangerous world of organized crime. Da Vinci offers Johnny a lucrative deal, that can potentially save him from his destitute and hapless situation, however, engaging him into a highly risky and dangerous task.

The film provides a depth to Johnny Barrows' character, reminding the audience of the wasted potential of a patriotic soldier abandoned by his country. His hopeful wishes to lead a normal and rewarding life, away from violence and death, lies in stark contrast to the scenario he now finds himself in. His reluctance to continue living such a life is evident, however, the circumstances and the lack of viable choice hinders him from escaping the damaging spiral of his life.

Meanwhile, Roddy McDowall plays Tony Da Vinci, Don Da Vince's eccentric and unpredictable son who craves for power but lacks the practicality and wisdom associated with it. His volatile actions and behaviour add another layer of complexity and danger to the narrative. The power dynamics within these crime families adds an additional layer of tension, with Johnny Barrows involuntarily entangled in its center.

Mean Johnny Barrows is, therefore, not merely a depiction of the crime world but also an exploration of societal issues prevalent at the time, including racial bias, poverty, and disenfranchisement of veterans. The film captures the desolation and desperation of its protagonist who, despite his resistance, is forced into a world of violence and deception.

Fred Williamson, a frequent figure in 70s blaxploitation genre, does an admirable job displaying the strife and desperation of Johnny Barrows. His portrayal of the eponymous character is raw and authentic, effectively translating the torment and loneliness of a man left astray. Similarly, Roddy McDowall and Stuart Whitman present interesting and engaging performances, making their characters memorable and striking.

The film also contains classic elements of the blaxploitation era, including action-packed sequences, high-speed chases, and dramatic encounters. William's directorial touch adds a gritty realism to the proceedings, highlighting both the allure and danger of the criminal underworld. The film also includes a melodic original score that vibrantly accentuates the vibe and tone of the film.

In conclusion, Mean Johnny Barrows is an intriguing hybrid of blaxploitation and mob movie genres that effectively explores the themes of desperation, violence, and redemption. This is all held together by some solid performances from a well-chosen cast, making this a hidden gem in the catalog of 70's crime cinema.