Monster Walks

Monster Walks is a classic horror film released in the year 1932. This spine-chilling drama is directed by the renowned director Frank R. Strayer and is marked by the exceptional performances of Mischa Auer, Martha Mattox, and Rex Lease. Casting a long shadow of terror and suspense, the film spins a chilling tapestry of fear, mystery, and psychological manipulation.

In Monster Walks, we see a typical 'old dark house' setting, a common trope in horror plotlines of the era. The house, in this case, is an ominous mansion set in an isolated location, shrouded in mystery and gloom. This mansion is the inheritance of a young woman named Ruth Earlton (played by Vera Reynolds) following the sudden death of her wealthy father.

In this gothic mansion, we meet an eccentric assembly of characters, adding to the moody atmosphere of unease and distrust throughout the film. The peculiar house staff is led by housekeeper Mrs. Krug (portrayed by Martha Mattox), whose mysterious demeanor sets the tone for the unfolding events. Ruth's arrival at the mansion along with her fiancé, Dr. Ted Clayton (performed by Rex Lease), fuels the undercurrent of suspense coursing through the narrative. The tension is heightened with the introduction of Robert Earlton (played by Mischa Auer), Ruth's cousin, who has his own sinister motives.

One character that stands out and adds an unusual component to the plot is the Earlton's pet ape. The ape's presence in the mansion and its persistent menacing behavior adds a unique touch of horror and enhances the creepiness of the mansion.

The events that transpire are unknown and unexplained occurrences, which cleverly keep the viewers in suspense and a state of continual guessing. Odd noises, shadows, flickering lights, unexplained movements, and chilling surprises are the director's tools to keep the suspense alive and stand testament to the genre conventions of the early 30s horror movies.

The director, Frank Strayer, skillfully manipulates the gothic elements to enhance the eerie atmosphere and maintain a sense of dread throughout the film. He artistically uses the mansion's architecture with its vast size, gloomy walls, secret chambers, unsettling rooms, and flickering candlelight to cast a sense of foreboding shadow over the entire narrative. Horror aficionados can revel in this classic stylistic approach towards the genre.

Each actor's performance is commendable and breathes life into the characters. The nuanced expressions of fear, anxiety, and, at times, calculating malice contribute to the immersive narrative. Rex Lease provides a steady presence as the level-headed Dr. Clayton, acting as a counterbalance to the other, more eccentric, and fearful characters. Mischa Auer’s deft portrayal of Ruth’s cousin Robert maintains a constant intrigue around his motives and intentions. And of course, Martha Mattox’s performance as the mysterious housekeeper brilliantly exudes both charm and sinisterness to keep audiences on their toes.

The chilling sound design and the score play a significant role in maximizing the tense, horrifying atmosphere. Credit for this goes to the then-groundbreaking sound techniques that played a crucial role in early talkies, which the film makes excellent use of.

The movie's plot is underscored by hidden agendas, secret meetings, unexpected alliances, and a relentless quest for inheritance money. It is, at its core, a mystery concealed within a horror setup, making it an intriguing watch for fans of both genres.

In conclusion, Monster Walks is a notable entry in early cinema's horror genre. It provides an encapsulating visual experience full of suspense, horror, and mystery. It showcases exceptional talent, fantastic direction, atmospheric sound design, and an intriguing, suspense-filled storyline that keeps viewers rooted to their seats. It is truly a must-watch for any classic horror film enthusiast or anyone interested in cinema history.