Murder Bury Win

Murder Bury Win is a riveting 2020 comedic thriller, presenting a creative amalgamation of tension, humor, and board game geekiness into one unique package. Directed by Michael Lovan, the film stars a talented ensemble of Mikelen Walker, Erich Lane, and Henry Alexander Kelly, whose performances create a captivating and compelling narrative experience.

The plot circulates around three friends who enjoy simple, subtle pleasures of life, especially playing board games. Stuck in their monotonous everyday existence, the three protagonists - namely Chris, Adam, and Barrett (portrayed by Mikelen Walker, Erich Lane, and Henry Alexander Kelly respectively) - decide to design their own board game. And not any run-of-the-mill game, but one that embodies the gruesome essence of crime and survival – “Murder Bury Win”. Their goal is to carve out a niche in the vast, exciting world of game creation and make a mark for themselves. Their world takes a surprising turn when their fundraising efforts fail, sending their aspirations into a downward spiral. However, things change when they receive a mysterious phone call from an anonymous benefactor offering to fund their project.

The unpredictability starts when they meet this benefactor, someone they were unaware of until now, who not only appreciates their imaginative work but also proposes a business deal related to their game design. They find themselves in a tangled web of misadventures as the story moves from board games to real-life thrillers. Strangely enough, the three friends realize their game of imaginary murder has stark similarities with their alarming reality. How they navigate through the dangerous yet darkly humorous situation forms the crux of the plot.

Murder Bury Win showcases a multi-layered narrative interspersed with intelligent humor, robust character development, and suspense-filled moments. Director Michael Lovan leverages contrasts effectively - the grim subject matter is brilliantly sugar-coated with humorous undertones, making it an engaging watch. The film speaks volumes about friendship, aspirations, and the lengths one can go to turn their dreams into reality. How the leading trio handles the unexpected and life-threatening situations they find themselves in paints a picture of their resilience, camaritality, and the sheer will to survive.

The performances from the cast are a high point in the movie, their ingenuity in creating empathetic and relatable characters shining through. Mikelen Walker's representation of Chris, the silent but creative backbone of the team, brings a depth and complexity to the film. Erich Lane carefully portrays Adam's internal struggles, while Henry Alexander Kelly's depiction of Barrett is a blend of humor and cleverness.

This film stands out for its unique portrayal of the board game culture and the passionate creators behind this lesser-known industry. It highlights their creative process, their constant struggle for recognition, and the challenges that lie in making their fantasies come to life. The clever twists and turns centered around their board game “Murder Bury Win” cleverly serves as a metaphor for their venture into the world of game creation/curation, with its unique set of battles and triumphs.

On the technical front, the sound design and cinematography in Murder Bury Win deserve notable mention, lending a visually appealing and gritty look to the movie. Moments of tension and suspense are punctuated by a deftly composed score, which works to enhance the overall sense of unease and uncertainty. The use of lighting and shadows combined with the film’s musical undertones contribute heavily to its eerie ambience.

Murder Bury Win, while a tale of aspiration and ingenuity, primarily reflects the complexities of the human capacity to cope, to survive, and to thrive. It is a captivating cinematic trip that assures an equal measure of laughs and jumps, making it an intriguing and daring watch. In the end, the film serves up an enthralling narrative that blurs the line between fiction and reality, leaving viewers on the edge of their seats.