Never Wave at a WAC

Never Wave at a WAC is a delightful 1953 comedy film with a star-studded cast including the indomitable Rosalind Russell, the charismatic Paul Douglas, and the humorous Marie Wilson. Under the skillful direction of Norman Z. McLeod, the film is chalked full of comic timing and slapstick humor that defined the genre during the era.

The premise behind Never Wave at a WAC centers on a woman named Jo McBain, played brilliantly by Rosalind Russell. McBain is a pampered socialite who is accustomed to a high society life of privilege and luxury. Her life takes a drastic turn when she decides to join the Women’s Army Corps (WAC) to be closer to her high-ranking officer boyfriend at a Parisian military base. However, Jo has her intricate designs set on securing an easy, privileged position as a WAC, and her father, a former senator, uses his influence to arrange for that.

However, her dreams of an easy military life come crashing down when she discovers the stark reality of being a WAC recruit. Instead of the cushy, princess-like lifestyle she imagined, Jo has to confront the challenges of rigorous training, military discipline, and life in the barracks. She comes face to face with both the harsh realities and the humor inherent in the military life. Moreover, the privilege she had assumed was a given is nowhere to be found, leading to hilarious and heartrending moments throughout the film.

Paul Douglas brings depth to the film in his role as Andrew McBain, Jo’s ex-husband. The film presents an interesting twist on the usual spousal dynamic, as Andrew is a reporter who finds himself embedded in the same base where Jo is assigned. This creates a multitude of opportunities for both comedy and drama. He provides a foil to Jo’s dramatic and comedic antics, putting forth a more grounded perspective in contrast to her high society expectations and foibles.

Marie Wilson, portraying the airy yet loveable Clara Schneiderman, offers comic relief in her role. Schneiderman is another WAC recruit who inadvertently becomes Jo’s friend. She exemplifies the working-class woman’s experience, which starkly contrasts Jo’s privileged upbringing and naive expectations. Schneiderman’s character serves not only as a conduit for comedy but also as a foil that highlights Jo’s journey through her military service.

In terms of narrative progression, the story starts on a light, comical note with Jo, a woman totally out of her comfort zone, making comical errors and coming into touch with the reality of her new life. However, as she begins to adapt and evolve, the movie subtly shifts from simply laugh-out-loud moments to a heartfelt depiction of self-discovery, changing relationships, and the realization of one's true potential.

Underlying the comedic premise, Never Wave at a WAC reveals a deeper message about personal growth and putting oneself in the shoes of others. The film addresses themes of individualism, equality, classism, female empowerment, and personal transformation.

In terms of production, the film showcases mid-century cinema at its finest. The direction, screenplay, performances, and the overall mood set by the classic blend of comedy and drama are truly praiseworthy. The film features an excellent screenplay by Ken Englund and Frederick Kohner that keeps audiences hooked with engaging story developments, clever dialogue, and well-shaped characters. All this unfolds in beautiful black and white cinematography.

In conclusion, Never Wave at a WAC is a classic 1953 comedy touched with elements of drama that explores the journey of a privileged socialite into military life and the ensuing comedic chaos. With stellar performances by Russell, Douglas, and Wilson, and a narrative that’s both light-hearted and thought-provoking, the film is wonderfully entertaining. Through the lens of comedy, it offers a unique perspective on the Women's Army Corps and the women who served within it. As such, Never Wave at a WAC is a timeless piece of cinematic history that continues to entertain and inspire.