New Jerusalem

New Jerusalem, a 2011 movie directed by R. Alverson, stars Will Oldham, Colm O'Leary, and Walter Scott in a thought-provoking and introspective drama exploring themes of faith, friendship, and the search for meaning.

With a somber and poetic atmosphere, the film unfolds in the post-industrial landscape of Richmond, Virginia. The story follows Sean, an Irish immigrant and former Afghanistan war veteran, interpreted by Colm O'Leary, and Ike, a hats-salesman from Evangelical, portrayed by Will Oldham.

Sean, as a profound yet silent protagonist, carries an aura of tension and buried pain, resulting from the unspoken traumas he experienced during wartime. He currently makes his living working at a used tire shop, where the dull monotony of the everyday contrasts sharply with the high-stress intensity of his former life. It's this dichotomy which gives birth to Sean's internal struggle, haunting his thoughts and dreams and creating an intriguingly complex character.

On the other side we have Ike, a devout Evangelical Christian working as a hat salesman. Oldham's Ike is a man of starkly different temperament – an optimistic, open, and outgoing individual, filled with a joyous vivacity drawn from his unwavering faith in God. What stands out about Ike is his gentle persistence and deep commitment to his evangelical work, which communicates a non-judgmental acceptance of all walks of life.

Both men, from divergent backgrounds, cross paths, leading to an unexpected friendship. Sean and Ike become entwined into each other's lives, opening the movie up to its central themes of trauma, faith, and the desperate search for meaning in life.

New Jerusalem explores the intricacies of discourse on faith and belief without falling into preachiness or judgment. The pace of the movie allows a deep and nuanced view of the principles of faith that respects the intelligence of the audience. The relationship between Sean and Ike takes viewers on an exploratory journey filled with deep dialogues and quiet moments that speak volumes about the breadth of the human experience.

Through their interactions, the movie subtly underscores the loneliness that these two individuals harbor, regardless of how contrasting their experiences may be. Ike's relentless faith contrasts sharply with Sean's quiet agnosticism, forming the principal pivot around which the movie revolves. Sean's frustration and inability to connect spiritually becomes increasingly prevalent, creating a tension that gives the audience room for contemplation.

Director R. Alverson crafts the film in such a manner that it demands viewers' full attention and contemplation. The movie is not densely plotted but brings richness through its exploration of questions about faith, connection, trauma, and the deep human craving for understanding life's purpose.

The film's atmosphere is also supported by stellar performances from the main actors. Will Oldham gives an impressive portrayal of an evangelist seeking to spread joy and faith amidst negativity and skepticism, while Colm O’Leary’s gripping performance injects life into Sean's character, painting an unraveling image of a man in significant psychological distress.

The cinematography of New Jerusalem is powerful in its simplicity. The minimalist and sometimes almost still shots bring an immersive and contemplative feel to the experience. Its barren settings and low-key lighting bring out the starkness of the film’s premise, while the ambient soundtrack reinforces the somber tone of the plot.

In conclusion, New Jerusalem weaves a reflective narrative centered around faith, trauma, and connection through the seemingly banal lives of its lead characters. Its contemplative pace and minimalistic aesthetics make it a movie that allows for personal and reflective interpretations. It is an engaging cinematic experience for the viewers who appreciate poignant, thought-provoking dialogue and introspective storytelling.