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Night Must Fall

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NR
1964

Night Must Fall is a gripping psychological thriller, a reimagining of the 1937 version adapted from Emlyn Williams' haunting stage play. The 1964 iteration boasts an impressive lineup of actors, featuring the commendable talents of Albert Finney, Susan Hampshire, and Mona Washbourne. Directed by Karel Reisz, this chilling drama-thriller beautifully enunciates the complexities of human nature, contrasting gentility and refinement with the hidden evils lurking beneath.

Finney's performance as the charismatic but dangerously devious Danny, is simply masterful. Briefly, he plays a charming, quick-witted Irishman who secures a job as a handyman in the household of wealthy dowager, Mrs. Bramson (Mona Washbourne). Mrs. Bramson lives in isolation with her nervous and knotty secretary Olivia (Susan Hampshire), and it is through their interactions that Danny’s character is both revealed and shrouded in more mystery.

Enhancing the film’s sinister undercurrent is the escalating tension at the local level. Reports of a missing woman feed into uncertainties, providing the film with an edge of unease and suspense, amplified by the intrusive bursts of investigative detectives.

Mrs. Bramson, a stern and demanding old woman, is initially suspicious of Danny. As the movie progresses, however, she is charmed by his flattery and high-spirited persona, complete with promenades in a wheelchair. This relationship between Bramson and Danny forms a significant part of the narrative, highlighting societal expectations and the many masks people wear.

While Mrs. Bramson is swayed by Danny, her secretary Olivia remains wary. Olivia, played by Susan Hampshire, delivers a powerful performance as the repressed middle-aged woman, caught in Mrs. Bramson’s web and desperately yearning for freedom. Her interactions with Danny veer from disdain to fascination, illustrating the complicated attraction between them.

Enhancing the film's ambiance is the use of lighting. It brings an eerie dimension to the characters, heightened further by the use of first-class shadow work, reflecting the disquiet bubbling below the surface. This is especially true in the scenes where Finney is shown with his face partially lit, underlining the dual aspects of his character. The gloomy English countryside doesn't get left out of the picture; the environment matches the mood of the plot, with rain providing a somber background to the unfolding intrigue.

The film's distinction lies in its skillful use of suspense rather than scares. It slowly builds up tension, cleverly subverting expectation and keeping viewers on edge about Danny's real intentions. Finney's performance as a man of indiscernible, twisted mind strengthens the air of unpredictability that surrounds his character.

Another element that adds depth to Night Must Fall is its exploration of class dynamics, illustrated eloquently through the characters of Mrs. Bramson, Olivia, and Danny. The old woman's aristocracy is contrasted by Danny's working-class swagger, providing the film with a subtle commentary on societal strata.

From an artistic perspective, Night Must Fall is a beautifully constructed movie. Its cinematography renders the narrative even more compelling, with some of the most affecting scenes providing dialogue that resonates potently with viewers and expands on the enigma that is Danny.

The screenplay, mirroring the film's air of tension, offers as much good as it does scary. It combines quick wit, warmth, and humanity while consistently echoing the dread subtly enveloped across the narrative.

The musical score, just like the narrative, dwells in subtlety. It enhances the heavy atmosphere throughout the film, maintaining the suspense without being predominant.

Night Must Fall may best be described as a finely crafted psychological drama that brilliantly balances suspense with character development. Director Karel Reisz carefully ensures the pacing of the film never lags and keeps you engaged throughout. Its chilling theme and exceptional performances, combined with the atmospheric cinematography and nuanced writing, make it a must-watch for anyone seeking a thriller with character depth and expert storytelling.

Though Night Must Fall is a remake of a 1930s film, it displays a distinct approach toward the narrative. It successfully maintains an intense atmosphere while unfolding a complex character study embedded within a suspense-filled plot. Ultimately, under the banner of horror and suspense, Night Must Fall asks profound questions about humanity and the thin veneer of civility that disguises the darkness within. The viewer is left pondering long after the end credits have rolled.

Night Must Fall is a Thriller movie released in 1964. It has a runtime of 101 minutes (US) Critics and viewers have rated it moderate reviews, with an IMDb score of 6.5..

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6.5/10
Director
Karel Reisz
Stars
Albert Finney, Mona Washbourne
Genres
Also starring Susan Hampshire