On Approval

On Approval is a delightful and sophisticated comedy that tickles your funny bone and warms your heart with its nature, wit, and humor. Directed by Clarence Bishop, this 1982 British movie features the sterling performances of Jeremy Brett and Lindsay Duncan, among others. The movie, set in the late Victorian-era, uses its setting to great effect, providing a backdrop that is historically rich and visually engaging.

The plot revolves around two cash-strapped titled characters: their whims, eccentricities, and pompous view of life. Jeremy Brett is George, the 10th Duke of Bristol, a penniless yet charming aristocrat who finds happiness in living life to its fullest, regardless of the adverse circumstances. His uncanny ability to manipulate every situation for his entertainment is balanced by his warmth and ingenious sense of humor.

Lindsay Duncan shines as Helen Hale, an ill-tempered yet enigmatic widow. She likes to consider herself being fussy about her choices, especially when it comes to choosing her suitors. Persuaded by her close friend Maria (Penelope Keith), an equally eccentric character, she decides to test two of her prospective grooms, Richard (Geoffrey Palmer) and George.

The story takes an exciting turn when Helen invites George and Richard to her isolated country house for a month, making it clear that they might marry if they manage to adhere to her high standards and draconian rules. However, the experiment promises extremely comical situations as these men try to tolerate Helen's demand for perfection and maintain their sanity amid the relentless test.

Brett's effervescent nature, charming smile, and audacious humor beautifully contrast with Duncan's harsh, yet somehow vulnerable, outlook on life. The chemistry between these two leads and the resulting comedic tension are palpably entertaining. Their nuanced performances brilliantly highlight the eccentricities of their characters, as ideals and ideologies clash, leading to many hilarious, heartwarming, and sometimes outlandish scenes.

The film highlights the ludicrous ethos of the high societal norms and the superficiality of aristocratic lives, all while maintaining an undercurrent of light-hearted humor and warmth. The dialogues are witty, sharp, and filled with sarcasm that effortlessly drives the storyline without becoming overbearing. Geoffrey Palmer as Richard, and Penelope Keith as Maria, provide excellent supporting performances, balancing the eccentricities of George and Helen with a practical approach, yet occasionally indulging in their own peculiarities.

On Approval's backdrop is in itself a character, with Victorian England painted in all its glory and decadence. This period comedy is more than merely a humorous peek into the lives of a bygone era; it is a brilliant satire on social norms, gender roles, and class divisions of the Victorian age. The movie garnishes its plotline with beautiful Victorian clothing, mannerisms, and architecture, accurately depicting the period's luxurious grandeur and stark disruptions.

The movie combines its tastefully hilarious script with grand settings, exquisite costumes, and historical accuracy to create a film that is wholly captivating. The overall direction by Bishop ensures that the comedy never feels forced or overdone. Instead, it flows naturally, courtesy of the eccentric characters and their interactions.

On Approval also emphasizes the importance of human connection and understanding in relationships. Through comic sequences, it pokes fun at how society's high expectations often result in unrealistic demands from relationships. It lays focus on the inherent beauty of flawed yet real relationships, presenting a refreshing view that provokes thought while ensuring hearty laughs.

In the end, On Approval is an enjoyable period comedy that brilliantly combines satire, wit, and romance. With an extraordinarily gifted ensemble cast, a beautifully recreated Victorian setting, and intelligently crafted dialogues, this movie makes for a delightful watch. It's a film for those who crave a dose of smart humor, witty repartee, and textures of historical grandeur, all woven seamlessly into characters that are as flawed as they are endearing.