One Is a Lonely Number

One is a Lonely Number is a 1972 American drama film centered on themes of self-discovery, grief, love, and human relationships. Directed by Mel Stuart and written by David Seltzer, it stars Trish Van Devere, Monte Markham, and Janet Leigh. The movie is a visceral exploration of individuality, loneliness, and an exploration of the power of the human spirit.

The movie follows the character Aimee Brower, brought to life by the compelling acting of Trish Van Devere. Aimee is coming to terms with her newfound status as a widow, after her husband dies unexpectedly. The painstaking exploration of grief, loss, and loneliness forms the chief narrative arc of the film. Through Van Devere’s performance, the audience witnesses an in-depth look into dealing with the pain of losing a loved one and the struggle of being left haplessly by oneself. The keen observation of bereavement in this film gives it a universal appeal, as it touches on emotions that are experienced universally.

Monte Markham plays the character of Keith, Aimee Brower's husband. Although his role is not as prominent, Markham's charismatic portrayal provides a strong contrast to the downturned mood of the film, as he stands out as a free spirit with an adventurous attitude. His brief appearances allow the audience to grasp the nature of their marriage and the profound loss experienced by Aimee.

Among other significant characters in the film is Janet Leigh, who plays a friend to Aimee Brower. Leigh offers nuanced performance and acts as a loving pillar of support who aids Aimee's grieving process. She plays a crucial role in Aimee's journey as she negotiates her way through her solitude and begins to navigate life under changed circumstances.

The title "One Is a Lonely Number" profoundly connects with the main theme of the film - loneliness. This mood is further echoed through the cinematography. Set mostly in urban landscapes, the setting serves as a metaphor for Aimee's loneliness, echoing her feelings of isolation and solitude amidst the bustling crowd.

The story, though laden with grief and loneliness, isn't devoid of hope. It showcases Aimee slowly finding her grip on life and identity after her husband's death. Her struggle is portrayed realistically without becoming melodramatic, thereby testifying to the resilience of the human spirit. A crucial aspect of this film is the exploration of one’s self-identity ensuing the loss of a loved one. It projects Aimee as she embarks on the journey of finding herself, her individuality, her place among people, and her life outside her relationship with her late husband.

"One Is a Lonely Number" meticulously deals with the reality of human life—the highs, the lows, the inescapable tragedies, and the inherent ability to bounce back. Despite the emotional heaviness, it does not drown viewers in utter despair. It maintains a delicate balance and provides moments of upliftment in an otherwise somber narrative.

While the film gives a deeply introspective outlook on loneliness and self-discovery, it also underlines the crucial role interpersonal relationships play in shaping our lives. Notably, the film goes beyond the stereotypical depiction of grief and moves towards subtler nuances of emotions, making it an insightful exploration of the human condition. It emphasizes the nuances of dealing with pain, the process of healing, and the journey from despair to recovery.

With fine performances by Trish Van Devere, Monte Markham, and Janet Leigh, One Is a Lonely Number is a deeply thoughtful and moving drama. Its realistic portrayal of grief, resilience, self-discovery, and the transformative power of relationships has allowed it to have lasting relevance. At the same time, its honest, sensitively handcrafted symbolisms and metaphors make it a memorable entry in the genre of emotionally charged drama films. It provides an enriching cinematic experience to the audience and leaves them with much to reflect on long after the movie is over.