One Potato, Two Potato

"One Potato, Two Potato" is a groundbreaking and thought-provoking drama film released in 1964. The film features powerful performances from Barbara Barrie, Bernie Hamilton, and Richard Mulligan. Directed by Lawrence Lipton, the film is an honest exploration of racial prejudice and shedding light on the societal views of interracial relationships in the United States during the 1960s.

In the lead role, Barbara Barrie gives an arresting performance as Julie Cullen Richards, a white woman who has already been through the hardship of a failed marriage. Barrie's mastery over the character is evident as she traverses the difficult emotional terrain of her role. Her performance earned her the Best Actress award at the 1964 Cannes Film Festival, an indication of the impact shecreated with her portrayal.

Bernie Hamilton stars opposite Barrie as African American Frank Richards. Hamilton's delivery is deeply affecting as he encapsulates the strength, patience, and pain of a man wanting nothing more than to live a normal life with his family, despite society's resistance. Combining their talents, Barrie and Hamilton make for an indelible duo whose performances create an emotionally stirring narrative.

Richard Mulligan's character adds another layer to the complexity of the story. His character represents the typical mindset of the majority of society during that era, adding an element of realism to the film.

The narrative of "One Potato, Two Potato" bitter-sweetly encapsulates the love story of Julie and Frank. Julie, a divorcee and single mother, falls in love with Frank, a caring and understanding man. However, their marriage soon attracts the biases, prejudice, and discrimination of the society around them. The film delves into the depth of their struggle as an interracial couple, with society proving to be their main antagonist. Through this central storyline, the film presents a poignant commentary on racial dynamics in the middle of the 20th century.

"One Potato, Two Potato" further sheds light on the sense of dilemma and confusion faced by children who exist at the intersection of such interactions. Without dwelling too much into spoilers, the film does involve the exploration of child custody battles and the role prejudice plays within them.

The film’s title, "One Potato, Two Potato," is based on a children's counting game name, which signifies the innocence caught in the crossfire of adult prejudices. This title represents the heart of the movie, highlighting the issue at its core. The film presents a story that is deeply etched in issues involving race, social prejudice, and injustices, all weaved skillfully into an intricate narrative, reminding viewers about history and how it reflects and resonates in the current era.

Beyond its dramatic narrative, the film is also a significant technical accomplishment. Director Larry Peerce, in his debut feature, paints the screen with enriched symbolism and powerful cinematography, creating a visual narrative that is as potent as the film's script. Shots are framed with an understanding of symbolism and an appreciation for subtlety, empowering the narrative and highlighting the film's central themes.

Coming out in 1964, when the Civil Rights Movement was escalating, "One Potato, Two Potato" was daring and unconventional for its time. It addressed a subject matter not commonly dealt with in mainstream cinema of the era. It dared to dig deep into the dialogue of race relations, confronted societal norms, and took a stand against racial prejudices. It lays bare the infuriating injustices and horrific social pressures that a couple in an interracial relationship had to endure in 1960s America.

"One Potato, Two Potato" is a moving film that is both a product of its time and a timeless commentary on the enduring presence of racial prejudice. Its critical exploration of race relations continues to resonate in contemporary discussions of racial prejudice and discrimination.

In conclusion, boasting of remarkable performances and a compelling storyline, "One Potato, Two Potato" is an important piece of cinematic history, as it's one of the first films to ably address and challenge the taboo of interracial marriage in an era of heightening racial tensions. Its relevance is felt even today, making the film an essential watch for anyone seeking to understand the dynamics of racial prejudice.