One Step Behind the Seraphim

One Step Behind the Seraphim is an emotionally gripping and deeply profound Romanian drama directed and written by prolific filmmaker Daniel Sandu. Released in 2017, it has won numerous awards, effectively establishing Sandu as an auteur of Romanian cinema. The movie stars Stefan Iancu in the lead role, flanked by a strong supporting cast that includes Vlad Ivanov and Toto Dumitrescu.

The narrative reflects Sandu’s personal insight, recounting his own experiences as a seminary student in the stark settings of rural Romania. The film, however, does not adopt a sermonising tone; instead, it is an intimate, visceral exploration of human resilience, faith, morality, and the profound dilemma of a young mind questioning the world around it.

The film opens with Gabriel (Stefan Iancu) joining a traditional Orthodox seminary in a desolate part of the country. The plot follows Gabriel, a sixteen-year-old boy from modest circumstances and a fervent adherence to his faith, who holds ambitions of joining the clergy. His conviction comes into testing waters in the crucible of the seminary, revealing an unexpected side of the ecclesiastical training under the Orthodox communion.

The seminary, which is supposed to be a sanctum of spiritual peace and the incubator for moulding principled patriarchy, is portrayed as an unlikely center that nurtures corruption, prejudice, and violence. Vlad Ivanov plays a striking role as Father Ivan, the seminary's stern and morally ambiguous Reverend. Under Ivan's daunting supervision, Gabriel attempts to navigate the tumultuous path of religious training, tackling power structures, teenage rebel sentiments, and his faith's earnest test. Meanwhile, Toto Dumitrescu masters the role of Richard, another seminary student and Gabriel’s partner in both mischief and contemplation.

As Gabriel’s journey progresses, the movie skilfully embraces themes of innocence, harsh realities, spirituality, and growth. It moves beyond a mere critique of the corrupt establishment, emphasizing Gabriel's spiritual journey, his wavering faith, and the preoccupation with sin, guilt, and redemption. Sandu’s directorial brilliance powerfully exhibits the crossroads of religiosity and adolescence through cinematographically poignant scenes, nuanced dialogues, and astutely chosen metaphors.

One Step Behind the Seraphim flaunts stark realism in its execution. The cinematography encompasses the bleakness of the seminary and the austerity of this pocket of orthodox Romania, effectively contrasting it with the bubbling rebellious spirit of its young inhabitants. The resulting aesthetic creates a unique blend of melancholy, isolation, and subtle resilience that enlivens the narrative.

The well-rounded characters, brilliant performances, and eloquent cinematography contribute to the power and authenticity of this compelling drama. Stefan Iancu’s charming portrayal of Gabriel strikes the right balance between vulnerability and fortitude, enabling audiences to develop a connection with his character. Ivanov’s portrayal of the seemingly rigid but deeply flawed Father Ivan leaves a lasting impression. His performance convincingly underlines the chilling consequence of absolute power and its effect on faith and morality.

Transitions in the narrative keep the viewers engaged, and the story arcs untangle slowly, presenting not only a critique of the religious institution but also a compelling humanitarian narrative. The film urges the audience to consider vital questions about faith, loyalty, the fallibility of authority figures, and the line between spiritual devotion and blind obedience.

In essence, One Step Behind the Seraphim is a poignant examination of a pivotal period in a young man's life, where he witnesses the shocking disparity between his faith’s ideals and its implementation. This film not only critiques the ecclesiastical corruption and moral paradoxes of the religious institution but also provides an insightful coming-of-age narrative. It highly recommends for those who appreciate intense dramas, realistic narratives, and philosophical inquiries about faith and morality.