Only When I Larf

Only When I Larf is a British crime comedy-drama from the year 1968, directed by Basil Dearden. The movie prominently stars Richard Attenborough, David Hemmings, and Alexandra Stewart.

The film features three main characters with cunning mindsets and big dreams. Richard Attenborough, one of Britain’s most respected actors, plays the character of Silas, a seasoned con-man who has spent his life living on the edge, manipulating people and orchestrating scams that can get him out of his comfort zone but feed his thrill-seeking soul. Silas, with his quick wit and street smartness, masters the art of conning.

David Hemmings, known for his powerful performances, plays the role of Bob, a novice con-man who yearns to learn from the best in business to get a piece of the con-artistry pie. He shadows Silas, absorbing his ways and techniques to ensure he is learning from the best.

Alexandra Stewart plays the role of Liz, who is not just beautiful but also intelligent, a femme-fatale who can outwit anyone with her mastermind and charm. She plays an essential role in creating a dynamic and exciting trio with Silas and Bob.

The storyline revolves around these three characters who together dream of pulling off the perfect con, promising considerable risk, challenges, and above all, adrenaline pumping excitement. They plan to deceive wealthy individuals from across the world, implementing an intricate plot hoping to make a fortune.

The film's narrative progresses with the characters venturing out to different parts of the world to execute their carefully planned scams. The film takes the audience on a global trotting journey, starting from the busy life of London to the glamorous life of New York and the serene beauty of Beirut.

Only When I Larf is not just about frauds and cons; it's about relationships, temptation, greed, deceit, friendship, and trust. It depicts how they come together to carry out the elaborate scams and how their relationships morph during their journey, creating a tapestry of human emotions and conflicts. The central motif that runs throughout the film is the theme of re-invention, deceit, and the price one has to pay when they cross the line, challenging the viewers to question their morality.

From a technical standpoint, the movie showcases Basil Dearden's signature style – impressive cinematography, tight editing, and a fitting background score that sets the tone for the film. The script maintains a balance of drama, comedy, and thrills, providing a solid ground for the talented trio to deliver compelling performances.

Attenborough's role as Silas can be counted as one of his most memorable performances. He effortlessly transforms into an aged swindler who walks with a swagger and a wry smile that reveals his cunning personality. Hemmings as Bob provides the character with charm and ambition, perfectly portraying a young man who is willing to risk everything to make it big. Stewart's confident performance as Liz adds a fascinating dynamic to the plot, often appearing as the critical thinker and planner behind the operations.

The film maintains a balance between the darker criminal undertone and lighter comedic aspects, providing a unique viewing experience. The characters’ inherent British charm and quick wit offer a comedic respite from the illicit activities they plan and perform throughout the movie.

Although the movie is inherently British, its global storyline provides it with a universal appeal. The choice of twelve countries as the setting across three continents makes the story more intriguing.

In conclusion, Only When I Larf is a classic example of 60s British cinema, offering an exciting ride of promising thrills, laughs, and emotional depth that draws audiences into its world. The brilliant performances of Attenborough, Hemmings and Stewart impeccably bring their charming scoundrel characters to life. This film is sure to cater to audiences who love thrilling caper narratives injected with humor and suspense.