Pass Over

Pass Over, directed by Danya Taymor and released in 2018, is a provocative and poignant drama that combines elements of the existential and the allegorical to explore the black experience in contemporary America. At its core, it's a film that attempts to grapple with pressing social and racial issues using the trappings of theatre and the visual medium of cinema. Besides its compelling performances from the trio of Jon Michael Hill, Julian Parker, and Ryan Hallahan, the film also flexes its dramatic muscles through the comprehensive exploration of its themes and the sheer emotional weight of its narrative.

Pass Over tells the story of two African-American men, Moses and Kitch, portrayed by Jon Michael Hill (also known for his work on Elementary) and Julian Parker, respectively. Their roles as ordinary African-American men living in an undetermined urban area act as both subjects and objects, representing those who have been marginalized in society. The dialogue is littered with soul-crushing instances from their lives that are enveloped by a sense of tension and anticipation, which is enhanced by Spike Lee's skillful direction.

The desolate street corner where Moses and Kitch reside forms the entire setting of the film. It is on this bare stage where the duo imagine their Promised Land, an escape from their current bleakness and monotony. The clarity of these dreams sharply contrasts with the stark reality of their existence. The narrative hinges on these dreams as much as the characters' reactions to the reality of their circumstances.

The introduction of a strange, white character named Mister, portrayed by Ryan Hallahan, disrupts the lives of Moses and Kitch. Mister, who claims to be picnicking in the hood, arrives bearing gifts of food. Through this character, the narrative interestingly intertwines racism and privilege, while also presenting an interesting dynamic between the characters.

Yet another mysterious figure, a menacing cop known as Ossifer makes for the final main character in Pass Over. At first glance, he appears to be a trustworthy figure, but the narrative enforces a sense of unease and fear as the plot unfolds, employing him as a tool of oppression and control.

Pass Over adapts elements and motifs from Samuel Beckett's play "Waiting for Godot" and the biblical story of Exodus. The former is referenced in the aimless waiting of the characters for something they don't even fully understand, while the latter guides the film's themes of liberation and hope amidst suffering. Director Danya Taymor blends these elements to construct a narrative that is unique yet hauntingly familiar.

The film, while grounded in reality, dips into the surreal and symbolic at times. Its cinematography presents stark contrasts between the bleak, grey urban landscape and the transient bright spots borne from the characters' dreams. This visually striking journey is coupled with a gripping and intense soundtrack that heightens the dramatic effect of the film.

Watchers will appreciate the strong performances across the board. Hill and Parker perform admirably, capturing the essence of their characters while conveying an entire spectrum of emotions with subtlety and depth. Hallahan, with his portrayal of the unnerving Mister, complements the performances of Hill and Parker, creating a dynamic chemistry that intensifies as the narrative unfolds.

Though the film's narrative remains predominantly simple and linear, the themes it grapples with are anything but. It's an unflinching examination of racism in America, opening up a discourse on the systemic bias entrenched in modern society. These themes are intensified as the film progresses, often making for an uncomfortable but necessary viewing experience.

Pass Over masterfully combines the immediacy and intimacy of a play with the visual power of cinema, providing a cinematic experience that is both breathtaking and thought-provoking. It pitches itself into the heart of racial and societal discussions that remain more relevant than ever today. This powerful drama is an exploration of the human condition, an outcry against the injustices of racial bias and a testament to the enduring spirit of hope in the face of adversity.