Pekak

Pekak is a unique and heart-pounding 2015 Malaysian drama film directed by Mohammad Khairul Azri Md Noor. Notably, this film is part of a limited number of Malaysian movies that have elected to deviate from the usual comedic or horror genre to explore a compelling and bespoke storyline imbued with elements of love, crime and social commentary. This unforgettable cinematic experience stars Zahiril Adzim, Sharifah Amani, and Amerul Affendi, whose breathtaking performances have done phenomenal justice to their intricate and multidimensional characters.

The narrative is driven primarily by Uda (Zahiril Adzim), an impoverished and deaf drug dealer who looks for solace in the city’s underbelly. His character is intriguing and complex, combining the characteristics of a hardened criminal with a compassionate and kindhearted individual, who wishes for nothing more than to escape his dreary reality. It is important to note that the film’s title, "Pekak," translates to "deaf" in Malay, encapsulating the essence and plight of the central character. Zahiril Adzim's portrayal of this role is both convincing and touching, fostering a deep compassion for Uda’s tribulations and aspirations.

Unfolding this narrative further, the character of Dara (Sharifah Amani), a rebellious schoolgirl from an affluent and strict family, is intertwined with Uda's life. Despite her privileged background, Dara is unhappy with her life and longs for freedom from her oppressive environment. Amani embodies the rebellious spirit of Dara with finesse, giving her character a resilient and rebellious flare that defies norms and expectations. A young woman trying to assert her independence, she further complicates the storyline by getting intricately entangled with Uda's world.

The complex relationship between Uda and Dara serves as the bedrock of the film, revealing the profound paradoxes and stark realities that surround their lives. Their bonds unfold against the backdrop of an unforgiving city teeming with unrest, crime, and societal divides. This unfortunate yet potent setting unfolds the story at multiple levels, revealing not only the protagonists' narratives but also the intricate social fabric they exist within.

Amerul Affendi, as Azman, Uda’s brutish boss and drug dealer, delivers a performance that is eccentrically charismatic yet alarming. Presenting the dichotomy of power, he rules the streets with an iron fist, exuding a dark allure while also symbolising the relentless forces that Uda hopes to overcome.

Pekak cleverly unveils various societal issues ranging from drug abuse, criminal underworlds, class divides, and familial issues, all of which enrich the film with added depth and realism. It openly challenges and discusses socio-political dynamics through impressive filmmaking techniques, coupled with brilliant acting, making it a riveting and thought-provoking drama.

The film's visual aesthetics deserve significant mention for their remarkable contribution to the film's overall ambiance. From the gritty and grimy backlanes representing Uda's world to the contrasting, pristine and luxurious locales symbolic of Dara's life, the settings are a character in themselves, enhancing the film's theme and narrative. The intense cinematography, skilfully executed by Haris Hue Abdullah, capably documents the harsh realities, evoking emotions and tension that are true to the heart of the film.

Moreover, the music score, a blend of ambient and acoustic tunes, flawlessly aligns with the film's tone and atmosphere. It offers an undulating rhythm to the narrative, adding depth to the scenes, whether it be the dreamier romantic moments or the hair-raising climactic sequences. Music plays a pivotal part in the storytelling given Uda’s deafness, becoming a conduit of communication and a symbol of connection.

In short, Pekak is a powerful and audacious film that challenges the norm of Malaysian cinema. It takes its viewers on a roller coaster ride of emotions, capturing the complexities of urban life and the profound struggles of its principal characters with an unfiltered lens. This film is not just an intense drama; it’s a reflection of the larger realities that encompass choices, resilience, love, and ultimately, the human will to break free.