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Pitfall

Where to Watch Pitfall

NR
1962

Pitfall, originally known as "Otoshiana," is a 1962 Japanese film that enjoys a cult following even today, owing to its profound yet perplexing storytelling. Directed by Hiroshi Teshigahara and written by Kōbō Abe, the entire narrative is a finely weaved blend of mystery, horror, and social realism. The lead character of this enigmatic piece is played by Hisashi Igawa, who delivers a stellar performance, aided by supporting actors Sumie Sasaki and Sen Yano.

From the offset, Pitfall grips its audience with an unusual plot that explores the realms of the living and the dead. Ignoring the traditional narrative strategies, the film explores complex themes of identity, life, death, and the mystifying intersections of their paths. Delivered through a haunting visual and nuanced auditory experience, Pitfall is both intriguing and unsettling, leaving viewers at the edge of their seats. The tone set by Teshigahara's direction, fluid camera work, and clever edits lure the viewers into the surreal world of the characters, making them participants rather than mere spectators.

The storyline mainly revolves around a miner, played by the talented Hisashi Igawa. The miner, with his young son in tow, is on the run from possible adversaries. Their difficult journey takes them through desolate landscapes that become stark metaphors for the desolation and isolation of their own lives. However, their world is further torn asunder when a mysterious figure clad in a white suit (Sen Yano) enters their lives. The sudden arrival of this stranger shatters their world, revealing the underlying exploit of the story: life and death aren’t binary states but rather fluid continuums that might overlap.

Sumie Sasaki, who plays a hardworking mother and a candy shop owner entangled in the complex web of intriguing events, delivers a heart-wrenching performance. Her character's interactions with the miner's son introduce a poignant layer of human emotions, exploring themes of compassion, care, and camaraderie in a grim setting.

The screenplay, penned by Kōbō Abe, walks a delicate tightrope between realism and surrealism. Viewers are left to construe the events for themselves, making each viewing a fresh, thought-provoking experience. Abe’s writing, known for its abstractness, seamlessly fits within the bounds of Teshigahara’s visual storytelling style.

Beyond its fascinating plot and skilled performances, Pitfall works hard to earn its surrealist credentials through a profound exploration of existential themes. It draws upon the miner's ostensible understanding of his reality, raising questions about living, dying, and the purpose of existence. Concurrently, the film touches upon social commentaries, painting a detailed picture of post-war Japan, its coal mining industry, and the treatment of its working-class population.

Also worth noting is Teshigahara’s innovative use of sound, which enhances the visual experience and aligns with the narrative’s mood. The film’s score, composed by Toru Takemitsu, oscillates between eerie silences and a haunting musicality, looking to unnerve the audience and keep them firmly within the film’s uncanny world.

The cinematography stands out in reputedly drawing the coal mining town's simplicity yet eeriness, capturing the raw grey landscapes and the lived-in interiors of the miner's house to the candy shop owner's humble dwelling. The landscape feels almost otherworldly, much like the strange happenings that transpire therein.

In essence, Pitfall is more than a movie, it's an experimental approach towards storytelling, which leaves traditional methods behind for uncharted territories. It fuses together an arresting narrative, imaginative cinematography and a stirring score to form an intricate and immersive experience. Veering away from the conventional films of its time, Pitfall dares to examine the undercurrents of human existence and the baffling possibilities of life beyond death.

However, to do justice to this distinctive cinema gem, viewers are encouraged to let the narrative seep in rather than seeking definitive answers. Pitfall invites you to speculate, wonder and be a part of the uncertainty that the film stirs, thereby ensuring a haunting movie experience that'll reverberate long after the credits roll.

Pitfall is a Fantasy, Crime, Drama, Mystery movie released in 1962. It has a runtime of 97 min Critics and viewers have rated it moderate reviews, with an IMDb score of 7.5..

7.5/10
Director
Hiroshi Teshigahara
Stars
Hisashi Igawa, Kunie Tanaka
Also directed by Hiroshi Teshigahara