Polly of the Circus

Polly of the Circus is a captivating romantic drama from 1932, curated under the talented directorship of Alfred Santell. The memorable performances by renowned personalities Marion Davies, Clark Gable, and C. Aubrey Smith lend a nostalgic charm to the film. Set against the backdrop of a traveling circus, this movie offers an enticing blend of romance, drama, and a hint of humor.

Marion Davies takes center stage as Polly, a talented and lively trapeze artist in a circus troupe, whose charm and vibrancy are captivating. Polly is not just another pretty face; she is a talented performer who lives for the thrill and delight of her circus performances. Despite her life on the road, she craves stability and dreams of a life less extraordinary.

Young and handsome, Clark Gable essays the role of John Hartley, a local minister drawn towards Polly despite their contrasting worlds. His powerful portrayal of a man stuck between his heart's desires and the obligations of his occupation adds depth and intensity to the storyline. There's a certain charm about how these two individuals from polar opposite professions navigate through their burgeoning feelings for each other.

C. Aubrey Smith, with his acting prowess, brings to life the character of Reverend James Northcott, who serves as John Hartley's superior within the church. Smith demonstrates a deep understanding of his character, a strict and traditional man who opposes the relationship between John and Polly. However, underneath his stern exterior, he embodies a character who is truly concerned about his subordinate's well-being.

As the narrative unfolds, it becomes clear that the relationship between Polly and John is met with disdain and disapproval from their respective communities. The romance between a circus artist and a minister is seen as scandalous and there's a palpable tension surrounding their forbidden love. Amidst this conflict, the film explores the theme of acceptance, questioning societal norms and drawing attention to the struggles of love against adversity.

The 1932 film adaptation of Polly of the Circus is beautifully underscored by its dramatic orchestration. The music flits effortlessly between the playful vibes of circus days and the solemn, spiritual atmosphere of the church, reflecting the duality of the film's core plot.

The historical reverence of this film is furthered by its meticulous costume design. Polly, the circus artist, is dressed in flamboyant and colourful outfits reflecting the carefree vibrancy of the travelling troupe. In contrast, minister John Hartley is attired in sober and traditional clothes that reflect his religious affiliation and seriousness. The detailing of these costumes adds a layer of authenticity to the narrative.

Polly of the Circus is a film well-wrought with emotions, drama and societal dilemmas. It does a commendable job of portraying a love that challenges boundaries, and questions societal norms and stereotypes. The skillful performance by the cast coupled with the powerful narrative and outstanding direction, makes Polly of the Circus a memorable film.

As with many gems from the golden age of cinema, this 1932’s film serves not only as entertainment, but also as a snapshot of societal norms and values of the time. It’s a must-watch for those who appreciate the charm of early 20th century filmmaking, and enjoy the tension and tenderness of a unique love story. Polly of the Circus is a testament to a time when love stories weren’t merely about falling in love, but about standing up for it, regardless of the obstacles.