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Pope Joan

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NR
2009

The 2009 film, Pope Joan, directed by Sönke Wortmann, is an awe-inspiring medieval epic that carefully intertwines historical drama with elements of romance and political intrigue. In the lead role, Johanna Wokalek delivers a captivating performance, complemented by acclaimed actors David Wenham and John Goodman in supporting roles. The film is based on the controversial legend of Johanna von Ingelheim, often referred to as Pope Joan, who supposedly disguised herself as a man and rose to become the Pope in the 9th Century, a period that many refer to as the Dark Ages.

The story's timeline is intriguingly poised between two eras - the so-called "Dark Ages" and the early rumblings of the Enlightenment. Wortmann, thus, immerses his audience in a narrative that gracefully walks the tightrope between a Europe buried deep within superstition, religious piety and a realm on the brink of intellectual awakening.

Johanna Wokalek shines in the title role of Pope Joan, showcasing a nuanced skill and inner strength that forms the essence of her character. Wokalek adeptly portrays Johanna's transition from a curious village girl thirsty for knowledge to a clandestine student in a male-only monastery, and later to a spiritual leader wearing the garb of a man.

David Wenham's character of Gerold, a knight with whom Joan forms a complex relationship, provides a look into privileged society's opulence and debauchery of the times. Their relationship forms an intriguing subplot and marks the romantic interludes in an otherwise tense, gripping drama.

John Goodman's portrayal of Pope Sergius II reinforces the status quo of the patriarchal dominance in religion and society of the era. His character becomes the embodiment of the fears faced by Pope Joan in her unheard-of venture into the masculine world of religious power.

The narrative is intelligently designed, full of drama, unexpected twists, and cronfrontations, tracing the life of Johanna, her struggle, ascension, and subsequent fight to retain her disguised identity. The film enthralls the viewers, raising existential questions about gender, faith, knowledge, and the power that binds them in a dramatic manner, quite unheard in the cinematic sphere.

The shooting location and set design bring the medieval era robustly to life, capturing every tiny detail of the 'Dark Ages.' The movie also scrutinizes the oppressive 9th Century society, which considered it blasphemy for women to read or receive an education, and plays on this theme powerfully throughout Johanna's personal journey.

Meanwhile, the intricate politics and court intrigues within the Church provide a backdrop for the film, adding layers of depth that raise it beyond mere historical fiction. The screenplay weaves an enlightening tale that challenges patriarchal institutions and underscores the untapped potential of women throughout history.

The music works brilliantly to accentuate the emotional depth and magnitude of the period, contributing to the authenticity of the cinematic context. Moreover, the cinematography is not only visually effective in its depiction of a particular time and place, but it also adds to the emotional subtext of the story.

Pope Joan is much more than a historical drama; it's an intense journey into the human struggle for identity, knowledge, and power, wrapped in a cloak of well-crafted cinematic finesse. An engaging tale of courage, defiance, and subterfuge, it leaves a profound impact on the viewer, challenging pre-existing stereotypes and attitudes towards gender and power.

In its episodic narrative, Pope Joan delivers an effective blend of elements from various genres, resulting in a story that is as entertaining as it is thought-provoking. It achieves what few historical epics do – a clear-sighted fusion of drama, politics, and romance that doesn't shy away from questioning historical perspectives.

In terms of international cinema, Pope Joan is a landmark film that begs contemplation and provides an opportunity to revisit one of history's most intriguing, yet controversial legends: the tale of a woman who dared to defy her society's rules to rise in the realm of spiritual and political power. The movie's profound socio-political commentary on the past provides a perfect platform to reflect on our present and perhaps reshape our future.

Pope Joan is a Drama, History, Romance movie released in 2009. It has a runtime of 149 min. Critics and viewers have rated it moderate reviews, with an IMDb score of 6.7..

6.7/10
Director
Snke Wortmann
Stars
Johanna Wokalek, David Wenham, John Goodman
Also starring Johanna Wokalek