Pullimaan

Pullimaan from 2010 is a strikingly picturesque and culturally rich offering directed by Anil K. Nair. Set in the idyllic backdrop of Kerala's vibrant rural landscape, the movie presents a profound narrative that spans the dimensions of love, socio-cultural disparities, and human bonds. The movie features an ensemble cast, comprising widely acclaimed actors Shivaji Guruvayoor, Kalaranjini, Kalabhavan Mani, and Manraj.

Pullimaan is a story deeply rooted in the soil of traditional Indian villages. Shivaji Guruvayoor breathes life into the character of Moopan, a revered and affluent figure. Moopan is inextricably woven into the social fabric of the village, whose authority and influence reign supreme. Kalaranjini plays the character of Paaru, Moopan's devoted wife. The couple has an adoptive daughter named Ammu, essayed by Meera Nandan, who is immensely loved and cherished by her parents.

At the other end of the societal spectrum, there’s Maniyan, enacted with stunning conviction by Kalabhavan Mani. He is a Pullimaan or 'Leopard man', a kind of watchman for the village. His job is to protect the villagers from wild animals, particularly leopards. Belonging to the socially downtrodden and financially unstable section of the society, Maniyan’s life is in stark contrast with that of Moopan's. He lives with his mother Kunji played by Kalaranjini, in a small thatched house and leads a simple life.

Despite the stark difference in their standing within the society, Maniyan and Ammu become good friends, given that they are of the same age. Manraj plays the character of Vasu, who falls in love with Ammu. The flourishing friendship and the budding romantic subplot artfully interweave to create a poignant narrative that communicates profound societal themes.

The societal divide and the captivating love and friendship dynamics are not the sole elements of Pullimaan. The movie also brings to the fore the context of the fading puppetry art of Kerala, 'Tholapavakoothu'. This art form is central to the storyline as it serves as a ground where the lives of Maniyan and Ammu intersect. In essence, the movie presents an earnest glimpse into the cultural vibrance, social structures, and lesser-known art forms of Kerala.

Further, Pullimaan features enchanting music by Sharreth, which complements the mood and setting of the movie perfectly. The songs carry a distinct trace of the folk element, infused with a lilting melody that enthralls the listener. The background score by Bijibal is remarkable in itself, enhancing the emotional quotient of the film to great extent.

The cinematography under the expertise of S G Raman captures the verdant landscape of Kerala in its pristine glory. The visuals are no less than a feast for the eyes, thereby giving a massive uplift to the narrative framework of the movie. The real-life visuals of Kerala's rural life and local festivities truly transport the viewer to the heartland of India's enchanting God's own country, thereby authentically representing the setting and context of the movie.

Director Anil K. Nair showcases astute sensitivity and great skill, seamlessly layering the movie with a gamut of emotions and taking the audience on a journey that traverses the personal, the social, and the aesthetic dimensions of life in a rural community. His character development is meticulous, and the dynamics between the characters are well-explored and seem extremely believable.

In conclusion, Pullimaan is a film that strikes a chord with the viewer with its heart-touching narrative, stellar performances, lush cinematography, soulful music, and a rich portrayal of the cultural and social diversity of Kerala. It is far more than just a movie; it is a celebration of life, love, and humanity in its purest form, deeply rooted in the rustic landscapes of rural India.