Reel Injun

Reel Injun is a thought-provoking 2009 documentary directed by Cree filmmaker Neil Diamond, Catherine Bainbridge, and Jeremiah Hayes. This engaging and penetrating film delves into the cinematic depiction of Native Americans throughout the 20th and early 21st centuries. The film features several notable contributors, including actor Adam Beach, filmmaker Chris Eyre, and activist Russell Means.

Reel Injun unfolds as an enlightening road movie across the United States, visiting iconic locations that hold particular significance in the representation of Native Americans in film. Combining clips from classic and contemporary portrayals of Native people in Hollywood films, candid interviews, and insights from indigenous film scholars, Reel Injun presents a comprehensive and critical study of Hollywood's historical approach to First Nation identities.

The documentary begins by exploring the origins of the Hollywood 'Injun,' examining the earliest depictions of Native Americans in silent films. Diamond highlights the way in which the industry has often resorted to stereotypes and simplistic representations, encapsulated in the archetypical 'noble savage' or 'bloodthirsty warrior'. It presents a progression showing the evolution of these cinematic images over time, influenced by historical, cultural, and political contexts.

Adam Beach, famous for roles in films such as Flags of Our Fathers and Windtalkers, features prominently; discussing his experiences as a First Nations actor in Hollywood and reflecting on the limitations these stereotypical characters can impose. Similarly, Chris Eyre, known for Smoke Signals and Skins, provides a filmmakers’ perspective on the industry’s portrayal of indigenous people.

One of the most poignant voices in the film comes from Russell Means, a highly respected Native American activist and actor. His incisive commentary highlights the discrepancies between Hollywood's portrayals and the realities faced by indigenous people in the United States.

Reel Injun also explores the theme of 'Playing Indian,' where white actors were often cast in Native American roles. Examining this controversial practice, the film unpacks the implications of cultural appropriation and representation. However, Reel Injun balances these critiques by showcasing films which provided more nuanced, authentic portrayals of Native American lives, such as Little Big Man, Reel Injun, and Dances with Wolves.

A distinctive feature of Reel Injun is its sense of humor and warmth. While dealing with serious issues, the film doesn’t shy away from the irony of some portrayals, often bringing a lighter touch to a potent critique. This blend of humour and heartfelt earnestness keeps the audience engaged and creates a cinematic journey that is both enlightening and entertaining.

The film also illuminates the rise of a new generation of Native American filmmakers who challenge conventional narratives and seek to tell their stories in their own voices. From the stylized and contemporary work of Sterlin Harjo to the epic landscapes in the works of Zacharias Kunuk, the film celebrates the diversity and dynamism within indigenous cinema.

Reel Injun does not merely critique the past; it also indicates the future direction of indigenous representation on the film screen. By presenting the voices of First Nations artists and activists, the documentary reveals a dynamic trend towards self-representation and increased presence of indigenous filmmakers in the industry.

Ultimately, Reel Injun challenges viewers to question their perceptions and assumptions about Native American identity as depicted in film. It shines a bright light on the persisting issues of representation, cultural awareness, and inclusivity within the film industry. It invites audiences to reflect on cultural stereotypes in pop culture, offering a crucial perspective that is not often highlighted in mainstream films.

In conclusion, Reel Injun is not just a documentary about the portrayal of First Nations people in films. It’s also a pointed critique of cultural appropriation and misrepresentation, an exploration of changing attitudes towards Native American cinema, and a compelling call for authenticity in storytelling. With its accessibility and unflinching honesty, Reel Injun appeals to cinephiles, educators, advocates of diversity, and anyone interested in the rich tapestry of Native American culture and history.