Reuben, Reuben

Reuben, Reuben is a provocative comedy-drama film that was released in the year 1983. Directed by Robert Ellis Miller, the film showcases a compelling plot filled with comedic elements and dramatic situations that weave an engaging narrative. The film features remarkable performances from its leading actors, Tom Conti and Kelly McGillis, as well as a remarkable supporting role by Roberts Blossom. Notably, Tom Conti was nominated for an Academy Award for Best Actor for his performance.

Reuben, Reuben is adapted from the Herman Shumlin play, “Spofford”, which is itself based on the Peter De Vries novel, which offers viewers a deep dive into the exploits of the lead character. The film’s title is, interestingly, not a repetition of a character’s name, but rather, is supposed to reflect the alcoholic poet’s slurred speech and provides an instant indication of the character’s personality as well as the tone of the movie.

The movie revolves around a flamboyant, alcoholic, Scottish poet known as Gowan McGland, portrayed by Tom Conti, who earns his living by giving poetry readings and literature lectures to an awestruck American audience. This eloquent and charismatic protagonist, who is going through a midlife crisis, fascinates with his boisterous personality, which is portrayed brilliantly by Conti. McGland’s penchant for alcohol and affairs with married women initially throws the narrative into comic territory, but the movie slowly reveals layers of depth and nuances as it progresses.

Opposite to Conti is Kelly McGillis, who plays a vibrant and independent young woman named Geneva Spofford. McGillis makes a lasting impact with her character’s energy, insouciance, and spirit for life. Her relationship with McGland serves as the central string that ties the entire narrative together. Roberts Blossom shines in his supporting role, casting a lasting impact with his quirky yet engaging performance.

Reuben, Reuben explores the themes of fame, personal downfall, and redemption. It artfully portrays the downfall of a man irrevocably wedded to his vices, and the struggle to find a toehold in the face of self-destruction. The film delves into the chaotic, comical, and tragic world of its protagonist, showing his struggle with addictions and his attempts to make sense of his life, presenting an insightful character study that never shies away from the complexity of its subjects.

The film also exposes the stark contrast between the ways of life in provincial America and McGland's outlandish flamboyancy, creating a visual and tonal disparity that allows for plenty of humor, drama, and pathos throughout the narrative. The cultural and intellectual gap is depicted endearingly, giving viewers chances for both laughter and introspection.

The screenplay is filled with clever, witty, and often hilariously funny dialogues, with the dramatic subplots providing an emotional heft that balances out the humor. The cinematography is understated and effective, capturing the provincial world in which the film is set, and the music strikes the right chords, eliciting the appropriate emotions at specific junctures of the film.

Reuben, Reuben is an engrossing watch for those who appreciate drama-filled narratives that offer a blend of comedy, tragedy, and profound human insights. The movie is a testament to the storytelling prowess of its director, the nuanced performance of its cast, and the ingenuity of its screenplay, which pulls no punches in dealing with the raw and chaotic life of a troubled man.

In conclusion, Reuben, Reuben is an engaging film that presents a poignant exploration of human frailties framed with humor, wit, and empathy, making it a memorable cinematic experience. Despite its initial comic veneer, it leaves viewers pondering about deeper issues, serving as both an entertaining and insightful watch.