Rita, Sue and Bob Too!

Rita, Sue and Bob Too! is a whimsical, provocative British comedy film directed by Alan Clarke that hit silver screens in 1987. Set in the gritty environment of Bradford, England, the movie expertly portrays the quirkiness, eccentricities, and reality of working-class life during that time. The movie stars the dynamic ensemble of Siobhan Finneran (Rita), Michelle Holmes (Sue), and George Costigan (Bob), each bringing a distinctive flavor to the outlandish tale.

The film is a social commentary that skillfully balances between humorous and bold plotlines. The principle characters, Rita and Sue, are teenage friends who work as babysitters for Bob and his wife, Michelle (played by Lesley Sharp). It is through their naive eyes that we view the adult world, fraught with complexities of their own. Bob becomes more than just an employer. He becomes a central character, significantly impacting the lives of the young girls.

Set amidst the backdrop of unemployment and social division, the film does not refrain from painting these honest realities, using the landscape as a protruding character. Authentic depictions of the dilapidated housing estates separated by sprawling countryside offer stark visuals of socio-economic disparity.

Though dark, the narrative maintains a fine balance, ensuring that the film does not sink into despair. Instead, it creates an aura of resilience and humor that is buoyed by the lively performances of the lead characters. Finneran's Rita is spirited and headstrong despite her circumstances, while Holmes' Sue exudes a certain warmth and innocence. Costigan gives an impressive performance as Bob, embodying perfectly the charm, wit and cunning of a discontented man caught in the rigidity of married life.

The triangular relationship between Rita, Sue, and Bob is genuine, complex, and free-spirited. It challenges the socially acceptable norms and uncompromisingly portrays the darkness that envelopes their seemingly comical interactions. The dynamics between the three lead characters make for an intriguing affair, offering an interesting study of relationships, morality, and freedom.

The dialogue delivery truly stands out in the film. The script, penned by Andrea Dunbar and adapted from her stage play, is unabashedly candid. It showcases the raw language prevalent among the working-class of the North. The use of colloquial dialect adds an extra layer of authenticity, infusing an indisputably earthly charm to the narrative.

Alan Clarke's directorial style comes to the fore in his crafting of this film. The storytelling is engaging, and he manages to capture the harsh realities of suburban England seamlessly. Also, representing the young girls' controversial relationship with an older man, without falling into the trap of moralization or victimization, requires a sensitive yet firm touch, and Clarke delivers it remarkably.

The atmosphere of the movie is heightened by a distinctively 80s soundtrack that underscores the chaotic relationship unfolding on screen. Michael Kamen's music gives the film a vibrant rhythm that perfectly complements the rebellious nature of the plot.

In conclusion, Rita, Sue and Bob Too! presents a relentless, real, and in certain ways, rebellious depiction of 1980s British working-class society. It is a sharp, poignant film that boldly defies convention, deconstructs societal norms, and challenges audience expectations while delivering heartfelt performances and unforgettable dialogue. This film is an absolutely essential viewing for those who appreciate British cinema, offering an audacious tale that leaves a lasting impression and ignites discussions long after the credits roll.