Save Me

Save Me from 2007 is a remarkably poignant drama that explores a range of themes, including acceptance, self-discovery, faith, and love, all bound up within the delicate issue of homosexuality and religion. The film is directed by Robert Cary and boasts a notable cast including Jeremy Glazer, Chad Allen, and David Petruzzi.

Save Me is Chad Allen's brainchild, a film that explores the controversial world of 'ex-gay' Christian ministries, aiming to 'cure' homosexuality through faith and prayer. In this heartfelt drama, Allen co-produces and takes on the leading role of Mark, a troubled young man grappling with substance abuse and promiscuity as a way to escape from his own insecurities and the societal marginalization he experiences due to his sexuality.

When Mark finds himself in hospital following an overdose, his older brother, portrayed by David Petruzzi, steps in. Though they haven't communicated in years, he aids Mark with a fresh start by sending him to Genesis House, a Christian retreat nestled in the serene landscapes of New Mexico. This retreat aims to support men who want to leave behind 'unnatural' homosexual tendencies. Genesis House is run by the devout Gayle, a composed, dedicated beacon of faith, and her understanding husband, Ted.

It's here that Mark's life encounters a drastic change. He meets a fellow resident, Scott, played with great sensitivity by Jeremy Glazer. Scott is a reserved, intelligent man who can quote the Bible as easily as he breathes, making him a rising star in Gayle's eyes. An unexpected bond develops between Mark and Scott, a bond that throws into contest not only their beliefs, but those at the very heart of Genesis House itself.

Throughout the movie, the concept of acceptance versus change and self-perception versus social expectation is handled with optimal sensitivity. The filmmakers skillfully sidestep the trap of painting any character as a villain. Instead, every character is portrayed as multi-dimensional, with their virtues, flaws, and fears carved out.

The cast plays their parts with profound finesse and authenticity. Chad Allen powerfully embodies the role of Mark. His transformation from a man who had lost himself to someone on a journey of self-discovery, maturity, and acceptance, is breathtaking. Jeremy Glazer brings depth and subtlety to his role and shares an incredible on-screen chemistry with Allen.

Meanwhile, the supporting characters enrich the narrative with their performances. Judith Light, as the intransigent yet well-meaning Gayle, creates a character whose journey parallels and intersects Mark's, but from a different life spectrum. Her struggles reveal the profundity of the story and the complexity of the questions it presents. David Petruzzi's performance as the caring and concerned older brother adds yet another layer of emotional depth.

The film’s landscape and atmosphere have a profound presence, thanks to the cinematography, effectively evoking the tranquil yet isolating environments in which the characters navigate their lives and faiths. The soundtrack complements the film's theme and story progression brilliantly, highlighting key emotional beats without being intrusive.

What sets Save Me apart is its conscious choice not to vilify religion or the leaders of the Genesis House. Instead, it observes them with understanding, allowing their motivations, however misguided, to stem from a place of genuine care and faith. This movie delves into the gray areas, presenting a narrative that questions, rather than condemns.

Save Me offers viewers an exploration into the complex relationship between religion, sexuality, and identity. It's a beautiful story, blending conflict, healing, love, and forgiveness, offering a surprisingly balanced perspective and leaving audiences contemplating the true essence of acceptance and love. The screenplay is nuanced, the performances are raw, and the approach taken towards the sensitive themes are thought-provoking, making this movie a must-watch for those who appreciate deeply human and compassionate narratives.