Say Yes

Say Yes is a provocative independent film directed by Stewart Wade and released in 2018. The compelling drama's script penned by lead actress Leah McKendrick delves headfirst into discussions about identity, relationships, grief, self-discovery, and the nature of desire. At the same time, it raises societal issues such as homophobia, acceptance of diversity, and the strain it can have on bonds between loved ones.

In the ensemble cast, actress and screenwriter Leah McKendrick headlines the movie as Becca, a young woman grappling with the tragic loss of her twin brother Brent. Throughout the narrative, Becca struggles with her grief, the lingering questions about her brother's sexuality, and the transformative impact it has on her identity.

Patrick Zeller delivers a moving performance as Alex, Becca's beleaguered husband. He battles on an emotional front, torn between supporting his wife while dealing with his confusing feelings towards Brent’s husband, Chris. His layered character adds depth and perspective to the feature, embodying both the supportive spouse and insightful friend.

Matt Pascua plays Chris, who is equally struggling to make peace with his husband Brent's loss and sudden feelings of attraction for Alex. Pascua embodies his role with grace and nuance, allowing audiences to empathize with his grief, confusion, and yearning for connection.

Pascua, McKendrick, and Zeller create a dynamic triad that tackles the complex emotions and interactions that arise from their unique situation. Supporting cast members include Shari Belafonte and Alberto Manquero, whose performances add substance to the narrative.

The film achieves its revolutionary intent not through graphic scenes or shocking script twists, but through its unflinching focus on conversation and relationships, leading to an exploration of fear, temptation, and denial. Say Yes explores sexuality on a profound and realistic level, placing character development and emotional connections above societal norms and expectations. It prompts audiences to question their perception of love and relationships and encourages acceptance and open-mindedness.

Stewart Wade’s direction leaves no stone unturned in presenting a film that is emotionally resonant but fraught with the awkwardness and confusion that come when individuals question their own sexuality. His use of close, intimate shots and longer takes invites a voyeuristic look into the characters' lives and their internal struggles. The exceptional cinematography, combined with a hauntingly beautiful soundtrack, conveys the turmoil and anguish of the characters while capturing their most vulnerable moments.

Say Yes takes the audience on an emotionally intense ride of discovery and acceptance. It unabashedly reveals humans' multifaceted sexuality, emphasizing that love can be found in the most unlikely places. It successfully addresses severe societal taboos without sensationalism, instead, favoring a delicate balance between subtlety and explicitness.

Despite tackling a deeply complex issue with sensitivity and dignity, Say Yes does not rob its narrative of moments of levity and joy. The film beautifully captures the comic, purely human moments that offer relief and an often much-needed respite from the intensity of the primary narrative. This film is an emotionally charged exploration of sexuality, grief, and acceptance, told through the medium of a vibrant and compelling story.

In sum, Say Yes makes for a captivating cinematic experience with its bold exploration of sexuality, grief, and relationships. Its bold storytelling and emotionally gripping performances, led by McKendrick's passionate and sensitive portrayal of Becca, make it a thought-provoking film that pushes boundaries by challenging societal norms and coaxing the audience into asking difficult questions about love, identity, and acceptance. Its rawness resides not in the unconventional narrative but in its exquisite exploration of the complexities of human desire and connection.