Se Tutte le Donne del Mondo

Se Tutte le Donne del Mondo (also known internationally as Operation Paradise and If All the Women in the World) is a 1966 Italian Eurospy comedy film that offers a romping adventure set during the peak of the 1960s spy craze, exemplified by the iconic James Bond series. Directed by Henry Levin and Arduino Maiuri, the film features a vibrant international cast, stylish set designs, and the era's characteristic blend of action, comedy, and seduction.

The film stars Mike Connors, who was known for his role in the television series "Mannix," as the suave and unflappable secret agent, Kelly. Connors' Kelly presents a unique take on the gallant spy archetype, blending wry humor with the expected coolness and competence. Alongside Connors is Dorothy Provine, an actress renowned for her comedic talents and roles in films such as "It's a Mad, Mad, Mad, Mad World." She plays the spirited and resourceful Susan Fleming, who becomes entangled in the high-stakes plot that unfolds.

Raf Vallone, an Italian actor with a powerful on-screen presence, portrays the film’s main antagonist, an enigmatic figure whose nefarious schemes are central to the story. Vallone's character is the mastermind behind a diabolical plan that poses a global threat, and stopping him becomes the mission that propels the narrative forward.

The film opens with the discovery of a potential world-shattering invention: a unique formula that could have devastating consequences for humanity if it falls into the wrong hands. The plot kicks off with a typical 60s spy thriller setup: the protagonist, Kelly, is assigned to prevent the formula from being weaponized. Meanwhile, Susan Fleming finds herself mixed up in the escapade almost by accident, setting the stage for a partnership filled with chemistry and witty banter.

The two protagonists embark on a globetrotting adventure that takes them through a series of exotic locations, each gorgeously captured by the film's cinematography. From the sun-soaked beaches of Rio de Janeiro to the opulent European capitals, the settings serve as both a visual treat and a backdrop to the high-energy chase sequences and intricate espionage tactics that the film delivers.

True to the form of the Eurospy genre, the movie features an array of eclectic and compelling secondary characters, ranging from eccentric scientists to glamorous double agents. The costume and art design enhance the film's aesthetic, with eye-catching fashion, gaudy décor, and gadgets that typify the era's fascination with futuristic technology, despite some now-retro appearances to contemporary audiences.

Se Tutte le Donne del Mondo is underscored by an upbeat and catchy soundtrack that harmonizes with the film's tone, accentuating both the moments of tension and broad comedy. The music and sound design contribute to an immersive experience that typifies the period's adventure films, where espionage was as much about the glitz and flair as it was about the covert operations.

The plot weaves together elements of intrigue, seduction, and light-hearted humor. The dynamic between Connors' and Provine's characters demarcates the film from other more serious entries in the spy genre, embracing a tongue-in-cheek approach to the often fantastical scenarios they encounter. The overarching theme of global conspiracy interlaced with romantic dalliance maintains the audience's attention, balancing the larger-than-life stakes with personable interactions.

The action sequences, while not as high-octane by today's standards, are crafted with a sense of innovation and clarity. They provide ample thrills and are strategically placed to punctuate the narrative's progression, combining hand-to-hand combat, chase scenes filled with clever maneuvers, and showdowns that require both brawn and intellect to navigate successfully.

One must consider the historical context in which Se Tutte le Donne del Mondo was released. The mid-60s bore witness to a cultural infatuation with the figure of the secret agent as a symbol of sophistication and excitement. This film is clearly a product of its time, encapsulating the zeitgeist and playfully deconstructing the formulaic spy narratives by injecting humor and a certain self-awareness into its structure.

From its compelling lead performances and gripping storyline to its unforgettable score and picturesque locales, Se Tutte le Donne del Mondo is a snapshot into the golden age of spy cinema, offering charm and escapism for fans of the genre looking for an entertaining blend of espionage, humor, and retro style. The film is sure to delight those who appreciate the slick and lively spirit of 1960s cinema, especially within the context of one of the era's most pervasive and beloved genres.