Secretary

Secretary (2002) is a provocative and emotionally charged dramatic comedy directed by Steven Shainberg. The film pushes against societal norms and exposes viewers to the unconventional world of sadomasochistic relationships. The entrancing performances of Maggie Gyllenhaal and James Spader give this subversive romantic drama an appealing, truthful edge.

The film introduces us to Lee Holloway, portrayed by Maggie Gyllenhaal, a soft-spoken young woman with a potentially self-destructive nature and a troubled past. Released from a mental institution, where she committed herself to deal with her self-harming behaviour, Lee endeavours to regain a normal life. She attends typing classes, hoping to provide herself with practical life skills. Despite her unstable history, Lee dreams of a simple life: having a job, a loving husband, and a few children.

Maggie Gyllenhaal's performance is both revelatory and mesmerising. Her character starts out as a fragile and demure persona but gradually builds strength and resilience. Gyllenhaal beautifully portrays Lee's journey of self-discovery, acceptance, and love.

Enter E. Edward Grey, a laconic attorney, played by the ever versatile James Spader. He is an offbeat employer, distanced from his staff and uninterested in bonding. His office, bathed in earthy hues, a clutter of papers, and vintage paraphernalia, gives the audience a hint of the unconventional world Lee is about to step into. When Lee interviews for the secretary's position in Grey's law office, a bizarre professional and personal relationship ensues, kicking off the main plot of the narrative.

What makes their relationship compelling and unconventional is the subtext of BDSM, which augments their interactions. However, it is essential to note that the film does not merely focus on fetishistic practices. It entwines their unusual dynamic in an emotionally rich narrative, offering a strikingly intimate look at a relationship that defies societal norms. The film brings forth questions regarding societal normativity, love, acceptance, and the vulnerability of human emotions under unusual circumstances.

Spader's portrayal of Grey is enigmatic and unconventional. While his character initially comes off as authoritative and domineering, Spader reveals layers of emotional vulnerability and tenderness beneath Grey's stern exterior. The interaction between Spader's Grey and Gyllenhaal's Lee forms the crux of the narrative, making it a captivating watch.

Marginalized supporting characters like Jeremy Davies as Lee's well-meaning but lost high school love Peter also add to the overall narrative. His character provides much-needed comic relief and conjures up identifiable feelings of love, jealousy, and confusion.

Secretary further stands out due to its inventive plot, sensitive storytelling, and delicate handling of its non-traditional subject. It treats its unique themes with respect and doesn’t resort to sensationalism. Rather, it brings out the humane side of its protagonists, giving audiences an opportunity to empathise and engage with them.

Shainberg's visionary direction, complemented by Amy Hobby's production, is also praiseworthy. The film’s setting, often overlooked in many narratives, plays a crucial role here. The carefully detailed mise-en-scène, comprising Grey's office and Lee's home, becomes an extension of the characters and their emotions. The cinematography magnifies the subtlety of emotions and the understated eroticism that permeates the narrative.

On the surface, the premise of Secretary might appear shocking or outlandish to some viewers. However, underneath its daring exterior lies a heartfelt exploration of two people on the fringes of societal acceptance. It chronicles their journey towards self-discovery, acceptance, and redemption through an unconventional yet deeply affectionate romantic relationship.

In conclusion, Secretary delves into the uncharted territory of conscious sadomasochism within the contours of a relationship, presenting audiences with a unique viewing experience. Despite its unconventional premise, the film remains a warm-hearted, daring, and insightful depiction of love, transforming itself from merely being a film about an unusual fetish to a profound exploration of human closeness, complexity, and desire. Moviegoers who appreciate unconventional love stories are guaranteed to find something of interest in Secretary. But viewer discretion is advised due to the explicit nature of some scenes.