Sexmission

Sexmission, filmed in 1984 and directed by Juliusz Machulski, is a Polish comedy science fiction film that explores a dystopian future society and amplifies themes of gender, freedom, and individuality. The film features the splendid talents of Polish actors Wiesław Michnikowski, Jerzy Stuhr, and Olgierd Łukaszewicz among others. Known for its innovative plot and intriguing twist on societal concepts, Sexmission remains one of the integral movies of 1980s Polish cinema.

The plot of the film follows two men, Max played by Jerzy Stuhr and Albert, portrayed by Olgierd Łukaszewicz, who volunteer for a cutting-edge scientific experiment. Under the auspices of the Principle of Hibernation led by Prof. Kuppelweiser, played by Wiesław Michnikowski, Max and Albert are placed into a state of hibernation, aiming to wake up after three years, only to find themselves waking up in much different circumstances.

Upon awakening, Max and Albert discover that they have been in hibernation for a staggering fifty-three years instead of the planned three. They wake up to a post-apocalyptic society run by women who have been living underground since a nuclear war has made surface life impossible. The men discover they are the only males in this society, making them an oddity and somewhat of a threat to the established order. The dystopian society considers men a dangerous and extinct species, holding them responsible for the destruction of Earth's surface.

In the radically matriarchal society they find themselves in, women have taken control of all aspects of existence, from reproduction to leadership. They reproduce through parthenogenesis and consider men unnecessary for their society's survival, both functionally and symbolically. The women then decide that Max and Albert should be 'feminized' to integrate into their society.

Max and Albert attempt to navigate and understand this peculiar world order rather comically. The narrative skillfully intertwines critical social commentary with a plethora of humor, showcasing comedic paradoxes in society's traditional gender roles. Despite the grim dystopian setting, the movie constantly teases the audience with satirical jabs at the gender wars, societal norms, and dictatorships.

The film undertakes a daring exploration of a futuristic society free from the male gender, allowing an introspection into the clichés of masculinity and femininity. It humorously exaggerates the fears, stereotypes, and myths tied to gender roles, hinting at the absurdity of adopting extreme positions in the gender debate. This portrayal showcases the director's distinct prowess, leading to a thought-provoking comedy that remains relevant even after several decades.

Throughout the film, charismatic performances by both leads Stuhr and Łukaszewicz add charm, hilarity, and complexity to the story. They brilliantly handle the genre's satirical nature and the screenplay's challenging subject matter. Stuhr with his earthy charm and Łukaszewicz with his intellectual demeanor provide the film with layered characters, contributing significantly to the engaging narrative.

Veteran actor Wieslaw Michnikowski, despite his brief screen time as the hibernation Principle, leaves a lasting impression with his performance, encapsulating the spirit of the movie: audacious and inventive. The female actors playing the leaders and citizens of this dystopian society deliver an equally commendable performance, creating an authentic representation of a world without men.

Director Juliusz Machulski is lauded for successfully blending sociology, comedy, and science fiction in a manner that doesn't dilute the seriousness of the film's underlying themes while ensuring that the narrative remains entertaining and accessible. The film was nominated for the Golden Lion at the 1984 Polish Film Festival, cementing its recognized place in the annals of meaningful European cinema.

Sexmission can be described as a bold satire that thoughtfully employs elements of comedy and dystopian science fiction in exploring the dynamics of gender roles and societal expectations. With its timeless appeal, intelligent humor, and unique storyline, the film continues to amuse and provoke critical thought among viewers today. The breath of fresh air it brought to 1980s Polish cinema endures even now, effortlessly tripping through comedy, summing up a commentary on societal perspectives on sex and political dogma - a testament to the enduring appeal of this unique film.