Sextette

Sextette, a 1977 comedy film adaptation based on a play by Mae West, stars the legendary actress herself alongside notable actors Timothy Dalton and Dom DeLuise. Directed by Ken Hughes, Sextette is an opulent, garish, yet endearing showcase of West’s snappy one-liners, unabashed flirtatiousness, and undying love for opulence. The film doubles as a swansong for West, a fitting tribute to her life and flamboyantly vivacious character.

The plot is delightfully chaotic. Marlo Manners (Mae West), a famed Hollywood star, has just married her sixth husband, actor Sir Michael Barrington (Timothy Dalton). The couple is on their honeymoon at a luxurious hotel in London, their fledgling romance held in the balance by a variety of zany complications. Barrington, initially over the moon with his nuptials, quickly finds himself tested by his new wife's unrelenting popularity and powerful star persona.

Every encounter in the eccentric hotel environment becomes an opportunity for Marlo to demonstrate her famous wit, charm, and larger-than-life personality. The ever-patient Barrington does his best to keep up with his bombshell bride, guiding her through a series of absurd events. However, Marlo’s past five husbands and numerous adoring fans keep arriving at the hotel, creating a comedic chaos that Barrington tries to manage.

Appearing as the interpreter of well-meaning hotel manager Mr. Dan Turner, Dom DeLuise lends his brand of slapstick humour to the absurdity. His comic timing and onscreen chemistry with both West and Dalton contribute significantly to the film's humor. The presence of other established stars including Ringo Starr and George Hamilton adds to the ensemble cast's charm.

The narrative is punctuated by musical numbers, paying homage to West's beginnings in Vaudeville. These numbers, while not necessarily connected to the plot, add to the lavish spectacle of the film and offer an insight into Marlo's (and by extension, West's) star persona.

It's worth noting that this film gave audiences a final chance to see the distinctive screen acting and singing of West. Even at 85, her charisma is undeniable. Though Sextette may not be the definitive Mae West film, it contains all the elements that represent her glamorous reputation – glamour, romance, strong will, and her trademark risqué humour. Dalton’s portrayal of a confused yet earnest Barrington nicely supplements West’s dominating persona. His character accepts the idiosyncrasies of his new wife while also trying to fit into the unconventional world she lives in.

On the other hand, DeLuise's Mr. Turner is a masterpiece of comedic relief - misguided, but always eager to do right by Hotel's esteemed guests. His bumbling confusion in handling Marlo and her entourage enhances the film's overall comic tone.

The film's production design contributes to the overall light-hearted approach, showcasing garish décor, luxurious suites, and extravagant wardrobes, reflecting West's extravagant persona. The flamboyant music numbers enhance this over-the-top aesthetic and keep the film lively and entertaining.

Sextette, despite its frivolous plot and outrageous scenes, is a nod to Old Hollywood. Its throwback charm, coupled with a nearly vintage cast, rekindles the spirit of a bygone era. For fans of Mae West's movies, it encapsulates the end of an era in her career and presents a lovely reminder of her magnificent pizzazz.

In conclusion, Sextette is a film soaked in comedic chaos, lavishly decorated sets, and fascinating performances. From Timothy Dalton's measured, mature presence to Dom DeLuise’s funny interpretation of a hotel manager, the film creates a vibrant, hectic atmosphere that keeps the audience entertained throughout. The outrageous, glam-filled ride is kept in balance by the sheer force of Mae West, who remains alluring and powerful, making the movie an unconventional but delightful watch.