Sex.Violence.FamilyValues.

Sex.Violence.FamilyValues is a provocatively titled film, but in essence, it's a collection of three hard-hitting narratives, satirical in nature and presented in an anthology format by Ken Kwek, a Singaporean filmmaker. From the first scene to the last, it paints a bold, controversial, unapologetic, and potentially offensive portrayal of stereotypes in Singaporean society, even as it pushes the envelope by asking difficult questions about racial, sexual and familial subjects.

The film showcases a veritable mélange of not just social taboos but daringly explores the schismatic undertones of racial innuendos and subliminal familial tensions that thrive in this seemingly pristine society. It simultaneously uses its platform for an honest yet trenchant commentary on prevalent stereotypes.

One of the central figures in the movie is a character named Adrian Pang, a nationally acclaimed actor who commands an impressive and versatile display of acting abilities. Pang navigates the waters of comedy, dark humor, drama, and absurdity with his portrayals in the triptych segments of the film: "Porn Masala," "Censorship," and "Cartoons."

In "Porn Masala," we're introduced to an Indian actor, portrayed by Vadi Pvss, who stars in the world's most-watched pornographic film, an unwitting cultural ambassador of sorts who finds himself in a predicament. This segment takes us on a wild, humorous ride, all while being an audacious social commentary on the racial stereotypes prevalent concerning individuals of Indian ethnicity. Vadi Pvss delivers an expressively theatrical performance that invites both laughter and sympathy.

"Censorship," the second segment, puts the spotlight on a film director engaged in a verbal duel with a government film censor, played by Pam Oei. This part is superbly performed and is a scorching satirical take on the concept of censorship in a contained society. It throws light onto the opacity of what is considered acceptable or unacceptable in media, and the authority involved in such decision. The razor-sharp dialogue keeps the viewers engrossed, and Pam Oei's role as a rote-learning, rule-book abiding official is praiseworthy.

The final segment, "Cartoons," features a father and his evolving relationship with his son, amidst divorce proceedings. Again, Pang performs brilliantly, embodying the character who is challenged to negotiate with his colliding identities - that of a father, a husband and an individual. It's an emotional rollercoaster, offering a powerful statement about familial relationships and perceptions intertwined with societal expectations.

Striking a balance between risqué humor and ponderous moments, Sex.Violence.FamilyValues is a bold social commentary. Besides exposing the hidden hypocrisy in Asian society, it also contextualizes various stereotypes within modern Singapore's cosmopolitan landscape, sometimes in a delightfully subversive manner. The film’s craft shines in the dialogue which is rife with cleverness and rapid-fire humor.

Ken Kwek, the visionary behind this work, has infused it with socially-conscious satire that does not shy away from pushing boundaries. His storytelling is unflinching, and issues are brought to the fore without sugar-coating them. His style oscillates between the comic and tragic, irreverent and poignant, capricious and profound, all in a fashion that hits close to home.

In summary, Sex.Violence.FamilyValues is a thrilling rollercoaster ride that tackles the often ignored underbelly of the societal norms in Singapore. Viewers expecting another straightforward, light-hearted romp might be taken aback by its audacious approach. However, those who appreciate insightful and thought-provoking content will enjoy the daring narratives that push the boundaries and ignites necessary conversations. Be prepared for a cinematic experience that strays way beyond the norm.