Shake Hands With Murder

Shake Hands With Murder is a delightful blend of crime and comedy set in the mid-1940s, starring Iris Adrian, Frank Jenks, and Douglas Fowley. Noted for its artistic narrative, this film skillfully combines the elements of film noir with lighthearted, comedic situations that result in an entertaining and engaging detective story.

The film takes its title from the intriguing storyline that surrounds a case of wrongful conviction and the pursuit of justice. Iris Adrian takes on the dynamic role of Verna Baxter, a smart, audacious bail-bond broker working in the bustling city of San Francisco. Verna’s principled approach to life and work is that everyone deserves a fair chance at justice—a perspective that soon puts her and her faithful assistant, Frankie, played by Frank Jenks, into an intriguing predicament.

Frankie’s affable nature and sharp wit infuse a touch of humor in the narrative, bringing a delightful balance to the gravitas of crime and investigation. His camaraderie with Verna provides an exciting spark that holds the viewer's interest and adds a charm that is characteristic of 1940s cinema.

The trouble begins when Verna provides a bond for convicted embezzler, Herbert S. Dale. The brilliant Douglas Fowley portrays this character with a guilty mien that convinces us without a doubt of his criminal nature. Dale escapes, leaving Verna with the unpalatable reality of losing a hefty $20,000 unless Dale is brought back within 24 hours. Thus begins an intriguing chase full of suspense, cunning, and surprising revelations.

As Dale continues to elude capture, Verna and Frankie find themselves assisting in a crime investigation—one that leads them to unearth evidence of Dale’s innocence. They embark on a quest to prove his innocence while also trying to save themselves from the impending financial debacle.

Despite the heavy subject, the film manages to retain an enthusiastic and lighthearted tone. Verna and Frankie’s sleuthing escapades in the colorful locations of San Francisco represent the spirit of the era, and their determination to solve the case mirrors the tenacity of the generation. In these sequences, the filmmakers make ample use of scenic shots which are a spectacle and would most certainly appeal to the audience.

The cast’s acting skills shine throughout the movie, assisted by a strong script. Iris Adrian stands out with her strong female persona and impeccable comedic timing. Her chemistry with Jenks adds a pleasant warmth to the film, and the duo’s lighthearted banter provides comic relief in the midst of mystery and crime. Douglas Fowley’s portrayal of the elusive Dale will keep the viewers entranced till the end.

Shake Hands With Murder is punctuated with classic film noir elements of shadow and light, atmospheric tension, and complex characters. It also pays homage to the vintage detective fiction of the 1940s, presenting a blend of suspense and comedy that straddles between hard-boiled crime and the lighthearted genre of screwball comedy. Director Albert Herman incorporates impeccable cinematography, deft editing, and period-appropriate costumes, all of which elevate the visual appeal of the movie and draw viewers into the story and era.

The film's score complements the visuals with foot-tapping tunes and soulful melodies that reflect and enhance the changing emotions of the characters and scenarios. It lends excellent support to the narrative, adding depth to the elements of mystery, thrills, comedy, and romance.

Overall, Shake Hands with Murder has everything that a movie lover could want—a compelling plot, gripping characters, plenty of laughs, and a sense of justice. Full of gripping moments and punctuated with epigrammatic dialogue, this flick brilliantly captures the atmosphere of the '40s and is an absolute must-watch for those seeking an endearing blend of mystery and comedy. It takes viewers on a nostalgic journey back to a post-war era, where life was budding with promise after enduring monumental challenges.