Sharon 1.2.3.

Sharon 1.2.3. is a comedic drama directed by Mark Brown, released in 2018. The movie adeptly fuses humor, romance, and men's fear of commitment, resulting in inherently comedic situations that involve heart, love, and three women — all named Sharon.

Featuring an impressive ensemble cast of Matt Bush, Erinn Hayes, and Nadine Velazquez, the movie documents the highs and lows of romantic entanglement for the movie's central figure, Jonah. It is a film that sparks various emotions as viewers embark on a personal journey of love that challenges societal norms yet remains hilariously relatable.

Matt Bush, known for his work in "The Goldbergs," represents Jonah, a quintessential slacker and lover-boy whose sole occupational focus seems to be hopping from one relationship to another. His pitfalls and triumphs are seamlessly portrayed, giving the audience an almost voyeuristic sense of attachment to his roller-coaster life and romantic escapades. Jonah is meek yet charming, seemingly incapable of saying no – a trait that fuels the hilarity of the plot.

His romantic life becomes complicated when he finds himself having relationships with three distinct women, all of whom share the name Sharon.

Erinn Hayes, known for her work on TV's "Children's Hospital," plays the role of Sharon 1, a successful businesswoman. Hayes beautifully portrays Sharon 1 as a sophisticated and ambitious woman, a stark counter to Jonah's lackadaisical tendencies. Their relationship adds a unique dynamic to the movie, providing humorous contrast and providing Hayes with a platform to shine as the successful yet nurturing woman.

On the other hand, Sharon 2 is played by Nadine Velazquez, known for "My Name is Earl," where she creates a distinctly memorable character. Velazquez's Sharon is a sexy, bold and colorful woman who is not afraid to dominate. Her character brings higher stakes and unexpected occurrences to Jonah's already-calculated world, demanding that he grow and adapt.

Rounding out the trio is Sharon 3, a confident British woman who is unapologetically on the hunt for an American husband. She disrupts Jonah's life in ways he never expected and further emphasizes his struggle to live deciding amongst a trio of Sharons. The character is quirky and brings an international flavor to the narrative.

These three women, all with the same name but vastly different personalities, disrupt Jonah's comfortable existence. Their presence forces Jonah to confront his fears, his emotional insecurities, and his relationship patterns. While the plot has comic undertone, it also resonates with deeper messaging about personal growth, emotional maturity, and the complexity of human emotions.

The director, Mark Brown, is notable for the "Barbershop" movie franchise. He creatively structures Sharon 1.2.3. using his comedy-drama forte, playing an orchestra of laughter and reflective moods confidently throughout the movie.

Visually, Sharon 1.2.3. is engaging. The movie does well to captures the unique lifestyle of our protagonist and his three love interests. The city life, the social scene, and the complex nature of modern relationships are portrayed effectively. The aesthetics of the film also speaks to the distinct lifestyle and personality of each of the Sharons, their authentic characterizations shining through in the vibrantly decorated sets that represent their living spaces.

The movie thrives in its dialogues and character interaction. The witty repartees are both situational and character range bound. While the film progresses, the dialogue, filled with delightful one-liners and humorous exchanges, carry the plot forward and also highlight the complexities of each character.

The soundtrack of Sharon 1.2.3. also deserves a mention as it helps set the mood and tone in crucial scenes, further enhancing the viewing experience. The music direction invokes a pleasant variety of emotions that range from light-hearted laughter to contemplative reflection.

While Sharon 1.2.3. to some extent, stays within traditional romantic-comedy tropes, the introduction of three lovers with similar names yet dissimilar personas adds a fun twist to the narrative and keeps the audience engaged. It is a film that manages to balance humor and depth, giving viewers a jovially heartfelt cinematic experience.

In conclusion, Sharon 1.2.3. is an enjoyable comedy-drama, displaying a remarkable mix of well-rounded characters, a seemingly predictable yet amusing narrative, and quality humor. Despite containing the basic ingredients of a conventional rom-com, it dares to tread its path, making it an enjoyable watch for those who enjoy a good comedy with a touch of depth and introspection. It's lucid, it's fun, and it's worth watching.