Simon, King of the Witches

Simon, King of the Witches is an occult-themed horror film from 1971, featuring the notable cast of Andrew Prine, Brenda Scott, and George Paulsin. Known for its atmospheric, psychedelic visuals and stylized dialogue, the film quickly attained a cult status with a dedicated following. The movie is directed by Bruce Kessler, who brings his distinctive, off-beat approach to the genre, lending the film an aesthetic that perfectly captures the counter-cultural zeitgeist of the early 1970s.

The film centers around the misadventures of Simon, played by Andrew Prine, a disillusioned magician turned vagrant who resides in a decrepit storm drain in Los Angeles. Prine’s performance as the title character is one filled with pathos and dark humor, providing a fresh take on the common tropes associated with witches and warlocks. Equipped with his own philosophies on power, religion, and money, Simon is far from your stereotypical supernatural villain.

Renowned for his ability to invoke supernatural forces, Simon is not content with merely surviving — he craves recognition as a leader within the occult community. Throughout the movie, viewers witness his attempts to gain recognition and power, which intricately weave the portrayal of high society, classism, and the often blurred line between obscure religious sects and magical practices.

Brenda Scott plays the role of Linda, a high-society debutante who gets entwined with Simon after a chance encounter. Scott masterfully captures the capricious nature of her character and the allure she finds in Simon's occult world. Their relationship provides fodder for social commentaries that the movie subtly explores, and their interactions serve as a touching subplot that punctuates the main storyline with moments of emotional depth.

George Paulsin plays the role of "Turk", a drug-addicted run-away whose story intertwines with Simon's. His character adds another layer to the movie's exploration of the fringes of society and the underbelly of Los Angeles.

The visual rich tapestry of Simon, King of the Witches is one of the movie's most prominent features. From the gritty, dark underpass where Simon lives to the lavish, decadent parties of the Los Angeles elite, the film presents a stark contrast between the shallowness of material wealth and the inner power Simon aspires to possess. The cinematography delivers a surreal, dreamlike atmosphere, supplemented by a haunting musical score that keeps viewers on the edge of their seats.

The script, carefully crafted by Robert Phippeny, does an excellent job at blending the elements of horror, comedy, and social satire. It gives the film a unique voice and drives its powerful narrative. Phippeny’s idiosyncratic dialogue and sharp wit help to build a narrative that is as challenging as it is enjoyable, keeping the audience engaged until the last scene.

This film is a standout addition to the genre, adding depth and ingenuity to its storytelling. Simon, King of the Witches stands out from its contemporaries by presenting an antihero who defies typical witch and wizard conventions. The film doesn't rely on jump scares or gut-wrenching shock moments that are common in horror movies. Instead, it seeks to unnerve and disarm its audience with its macabre themes and the eerie calm in which they're presented.

In conclusion, Simon, King of the Witches is a unique film that encapsulates the early 70s' spirit. With its explorative storytelling, rich atmosphere, and compelling performances, it promises an engaging viewing experience for both horror aficionados and those just looking for a taste of counter-culture cinema. The movie is a fascinating trip back to the psychedelic era and serves as a testament to the creative paths that genre cinema can take to engage its audiences.