Sometimes the Good Kill

Sometimes the Good Kill is a 2017 psychological thriller, directed by Philippe Gagnon and starring Susie Abromeit, Amanda Brugel, and Allison Hossack. This gripping film takes viewers on an intense journey filled with suspense and unexpected turns at every corner, expertly marrying elements of drama, mystery, and intrigue.

The plot elegantly unveils within the confining walls of a convent, a place typically associated with peace, tranquility, and spirituality. However, in Sometimes the Good Kill, this venerable setting becomes the arena for a series of chilling incidents that shatter the serene atmosphere and turn it into a breeding ground for mistrust and fear.

Susie Abromeit, widely recognized from her roles in Netflix's Marvel TV series 'Jessica Jones', plays the leading character, Sister Talia. After some time away, Sister Talia suddenly returns to her spiritual path, hoping for peace and solitude. But upon her arrival, she finds herself in the midst of a shocking event: the untimely and inexplicable death of a fellow sister.

As the sense of unease spreads among the sisters like wildfire, the Mother Superior, portrayed by Allison Hossack, gives the task of conducting an internal investigation to Sister Talia. This becomes a journey of profound self-examination for Sister Talia, as she realizes that her exodus from the convent may not have purged her doubts and fears about her faith as much as she thought.

In addition to the wonderfully layered character played by Susie Abromeit, the film features Amanda Brugel, a familiar face from Hulu's multi-award-winning series 'The Handmaid's Tale'. Her character, Sister Nora, is a seemingly devout and charismatic nun with much to hide under her surface of piety. As the plot thickens, the dynamic between Sister Nora and Sister Talia provides a crucial backdrop to the central storyline, diving deep into the psychological aspects of faith, doubt, fear, and loyalty.

The film excels on many fronts, particularly in its ability to create and maintain suspense. Sometimes the Good Kill makes excellent use of its setting, casting long shadows and creating an eerie atmosphere with the narrow, dimly lit convent halls. Scenes shift from the tranquil chapel to the closed, private spaces of the nuns’ quarters, and the cinematography is adept at making the most out of this contrast, adding depth to the overall aesthetics.

In its exploration of faith, deception, guilt, and redemption, Sometimes the Good Kill presents an intriguing take on the often complex and complicated dimensions of religious life. It also focuses on these characters' struggle to retain their faith while dealing with the realities of their situation. The script elegantly combines the characters' spiritual crises with the mystery unfolding within the convent's walls, making for a refreshing narrative direction for a thriller.

Sometimes the Good Kill consistently engages its audience, offering surprises at every turn and compelling viewers to question everything they've seen. It masterfully builds tension right up to its climactic conclusion, ensuring viewers remain on the edge of their seats.

The strong performances by the lead actors, combined with an intelligent script and excellent cinematography, make Sometimes the Good Kill a unique and impactful film. It is a religious thriller that excels in its presentation of a tight narrative and compelling performances, pushing the boundaries of its genre.

Above all, Sometimes the Good Kill is a rollercoaster ride that tests the limits of faith, loyalty, and human nature. Essentially, it is a must-watch for the lovers of thrillers with a psychological edge, mysteriously unfolding dramas, and unconventional narratives.