Subjects of Desire

Subjects of Desire is a compelling 2021 documentary which provides an insightful examination into the cultural shift in beauty standards towards Black aesthetics and features. This in-depth consideration is a stark departure from the historical context where features associated with Black identity were often belittled and rejected. The film, directed by Jennifer Holness, includes notable appearances from celebrated figures like India Arie, Jully Black, and Rachel Dolezal among others.

The documentary is a significant commentary on the society's evolving perspective towards what is considered classically beautiful. By focusing on Black beauty standards, it addresses the controversial topic of relations between aesthetics, race, and identity. From the bell hooks theory of resistance to a deep dive into the backlash over Rachel Dolezal's assertion of a Black identity, the film navigates the topic with nuance, sensitivity, and intellectual curiosity.

India Arie, the Grammy-winning singer and songwriter, epitomizes a crucial voice in Subjects of Desire. Known for her songs that encompass themes of self-love, empowerment, and the depiction of Black beauty, she provides substantial viewpoint on the subject matter. On the other hand, Jully Black, often dubbed as 'Canada's Queen of R&B', is another influential figure in the documentary who has been vocal about Black beauty standards and identity.

Holness also incorporates perspectives from other cultural analysts, beauty influencers, and historians, which collectively gives the documentary a comprehensive understanding about the subject. The filmmaker shines a light on societal biases towards beauty, the historical contexts that have shaped these opinions, and explores how ideas from the African diaspora are currently influencing fashion and pop culture.

Subjects of Desire examines key events and evolutions in the beauty industry, such as the rise in popularity of the 'Black is Beautiful' movement in the 1960s and the impact of the Miss Black America beauty pageant. It challenges the mainstream narrative and analysis on beauty, scrutinizing the way Black women are portrayed in media and addressing the continuous appropriation of Black aesthetics by non-Blacks. The film is both a critique of systemic discrimination while also celebrating the diversity and richness of Black beauty.

A controversial figure in the documentary is Rachel Dolezal, a former president of the Spokane chapter of the NAACP who identifies as Black despite having Caucasian heritage. Her case sparks a debate on self-identification and racial identity, contributing to the overall conversation of the film.

The documentary is as much about a cultural analysis as it is about a reflection of the contemporary social mindset. It offers a deeper understanding of the collective psyche towards beauty and the racial implications connected with it. Not only does it deeply analyze how beauty standards are formed and influenced, but it also reflects on our understanding of race and identity, asking the viewer to question and consider their own perceptions.

Subjects of Desire doesn't shy away from heated subjects, but rather looks them directly in the eye. Its examination of a variety of perspectives and experiences regarding racial identity and beauty standards is both informative and thought-provoking, often challenging the viewer to confront their preconceived notions.

Holness' exploration of the topic is not just academic, but also deeply personal, considering her own experiences as a Black woman. Through her lens, the audience is able to peer into the societal standards of beauty and how they affect those who don't necessarily fit into the cookie-cutter expectations.

Above all, Subjects of Desire is a narrative about transformation. It explores the shifting perceptions of beauty, the powerful impact of these standards on society's collective consciousness, and the implications for individuals struggling to reconcile societal expectations with personal identity.

This documentary makes for essential viewing, offering a refreshing perspective in an era where discussion about representation and inclusivity have become increasingly important. Not merely content with observation, Subjects of Desire serves as a strong indictment of deeply held societal prejudices and the essential role of media in perpetuating certain standards of beauty. Watching Subjects of Desire, one is compelled to reflect, understand, and perhaps even reevaluate one's concept of beauty and race, a testament to the power of this significant cinematic creation.