Supercock

Supercock is a 1975 film that packs a feisty blend of action, humor, and drama into its storyline. Directed by Gus Trikonis, this offbeat offering stars the charismatic Ross Hagen, the gorgeous Nancy Kwan, and the talented Tony Lorea, each of whom adds significant flavor to this compelling cinematic potboiler.

Keenly straddling the genres of action and comedy, Supercock unfolds as a quirky amalgamation of cockfighting, mafia machinations, and thrilling spectacle set against the vibrant backdrop of Southeast Asia. It's a narrative whirlwind that doesn't shy away from providing the more eccentric and bold side of a 1970s film feature.

Ross Hagen, known for his robust screen presence, plays the role of a man named Wilbur, who is known as "Supercock" in the seedy and competitive world of professional cockfighting. Wilbur has a knack for producing champion fighting roosters that earns him both admirers and enemies alike. Profiting from his succession of wins in the unofficial, unsanctioned world of underground cockfighting, he enjoys a life of high stakes gambling and unapologetic hedonism.

The role of Julie, a journalist covering the illicit sport, is masterfully played by Nancy Kwan who becomes an ideal foil and partner to Wilbur's "Supercock". Nancy Kwan, a household name in the 1960s and 1970s Hollywood, brings a remarkable blend of beauty, wit, and cunning to her character. Julie’s pursuit of a controversial exposé and eventual entanglement with Wilbur creates dynamic chemistry that anchors an essential part of the narrative.

Tony Lorea shines as Frank, a competitive rival in the cockfighting world consumed by ambition and envy. Lorea's portrayal beautifully crafts his character's arc, separating him as a distinct antagonist amidst the ensuing chaos.

The International mafia syndicate plays an integral role in the movie, as they move to control and exploit the underground sport for their own gain. The struggle for power, fueled by jealousy and competitiveness, introduces intense dilemmas and deadly encounters among the characters, ultimately making the unregulated world of cockfighting more dangerous than ever.

Filmed on location in Southeast Asia, the movie brilliantly captures the region's cultural nuances and geographic richness. Particularly, the scenes involving cockfights are treated tastefully, without becoming exploitative or overly gruesome. And though the film spotlights such an unconventional, controversial sport, it manages to do so with intrigue and surprising entertainment.

The movie displays a 1970s style dialogue and humor, which make it an entity of its own time and yet still manages to engage audiences in the present. The script by Ed Forsyth, in collaboration with director Gus Trikonis, is rich with lively exchanges, gripping moments, and character developments that keep the plot engaging and the audience on their toes.

As with many unconventional sports-centred movies, Supercock might seem to have a niche appeal; however, it shouldn't be mistaken as merely a film about cockfighting. It also explores themes of greed, rivalry, and the unrelenting pursuit of power. It delves into the world of journalism with Julie's character and her quest to uncover the truth, despite the danger. It's also a deeper exploration of varied motivations and personal dynamics that exist within a lesser-known world, thereby making it an engaging and multi-layered viewing experience.

The soundtrack of the film vibes with the 70s era, complementing the narrative wonderfully and adding an extra layer of authenticity to the epoch represented. Trikonis's direction enhances the performances of the cast and threads together visually impressive sequences while maintaining a constant rhythmic pace throughout the film.

While Supercock is undoubtedly outlandish in its concept, the way it embraces its unusual premise, and skillfully weaves a story around it, makes it an engaging and enjoyable cinematic journey. It serves as a vivid snapshot of a particular time and place, laden with all its cultural, socio-economic, and signal characteristics. This feature is a must-watch for those who appreciate offbeat cinema that blends action, comedy, drama, and a distinct cultural lens.