That Man In The Picture

That Man In The Picture is a gripping and thought-provoking Indian psychological thriller-drama released in 2018. The movie brilliantly breathes life into the complex web of human emotions and conscience and subtly casts light on the responsibility and role of onlookers in a society. The film revolves around distinctive characters that intricately embody the different aspects of human nature. The central themes of bystander's apathy, moral courage, and societal issues feature prominently throughout and make a bold statement on real-life incidents, making the film a thought-provoking addition to Indian cinema.

Directed by Gaurav Sharma, the movie features the distinguished and seasoned Indian actors, Alka Amin, Tushar Bakshi, and Raghuvir Yadav, who together weave a multi-layered narrative that revolves around a retired man who lives by himself in a sprawling apartment and has a penchant for photography.

Raghuvir Yadav plays an enigmatic retired man whose only hobby is to watch people through his black and white static television screen. On one significant night, his hobby takes a fateful turn as he clicks a picture of a young couple being harassed by a group of drunken men outside his apartment building. As the situation unfolds before his eyes, he realizes the chilling implications of his role as a passive bystander.

Alka Amin is shown as a concerned neighbor, who plays a pivotal role in bringing about the plot twist. Her character brings a sense of reality and warmth to the narrative, grounding the movie amidst its complex themes. Tushar Bakshi, on the other hand, brings youthful energy as one of the harassers, acting as a stark contrast to Yadav's character.

The movie, besides its primary plot, reflects on crucial social issues indirectly. The sense of injustice and inhumanity, portrayed through a screen or a photograph, brings an uncanny taste of reality. The discomforting silence, sense of confusion, and the power of a photograph to evoke a sense of conscience make the narrative compelling.

Evidently, That Man In The Picture is not just a psychological drama, but it also serves as a critique of modern society. The graphic representation of a night picture, the inaction of the passers-by, and the ability of the protagonist to distance himself from the incident alludes to the indifference and fear prevalent in contemporary societies. The movie raises several questions about the viewer's conscience and points to the moral obligations embedded in seemingly innocent hobbies in the digital era. It triggers introspection about our own reactions as passive bystanders in the backdrop of an event.

The movie director, Gaurav Sharma, has crafted this film with an intricate storyline that is not only engrossing but also paves the way for a thorough examination of sociological perspectives. The ambiguous line between being a silent observer and an active participant is blurred, leading to the unfolding of a gripping narrative. The director uses tight cinematography, innovative angles, and stark light and dark contrasts to magnify the sense of psychological tension.

That Man In The Picture is an excellent example of new-wave Indian cinema, juxtaposing traditional filmic narratives with nuanced and engaging storytelling. It uses its tension-filled premise to discuss serious issues that are both relatable and reflective of society's moral compass. The movie is a study of human psychology, emotions, tendency to avoid involvement, and the subsequent guilt resulting from passive observation.

In conclusion, That Man In The Picture is a potent social and psychological drama that forces its audience to reexamine their role within society. The movie’s engrossing storyline and superb performances by Alka Amin, Tushar Bakshi, and Raghuvir Yadav offer a cinematic feast to the audience. It's definitely a must-watch film, not just for its riveting plot and exceptional acting, but also for its compelling comments on society at large.