The Bad Batch

The Bad Batch is a dystopian love story set in a desert terrain that closely forms the skeletal structure of a vivid American nightmare. This colorful post-apocalyptic film was written and directed by Iranian-American filmmaker Ana Lily Amirpour and stars Suki Waterhouse, Jason Momoa, and Jayda Fink in key roles. First screened at the Venice Film Festival in 2016, this movie has a runtime of approximately 118 minutes, unravelling the story of morality, survival, and love in a world that has lost all semblance of order.

The setting is classic, dystopian Americana: a rugged desert wasteland, the leftovers of civilization rejected by a wall separating them from the rest of society. These rejected individuals form what's known as 'The Bad Batch,' hinting at their excision from society. The film commences with the lead character, Arlen, played by British actress Suki Waterhouse, becoming a member of the Bad Batch as part of a mysterious punishment inflicted by the authorities. Through her, we experience the brutality and incredulity of a world run by the law of the jungle.

Jason Momoa, best known for his role as the muscular Khal Drogo in Game of Thrones, is almost unrecognizable as The Miami Man- an imposing and feared figure in this bizarre world. Momoa’s character is a cultural mishmash, a Cuban immigrant who wears khakis, paints beautiful images, and speaks with a Spanish accent. His ferocious exterior hides a loving father dedicated to providing for and protecting his beloved daughter, Honey, played by newcomer Jayda Fink.

The narrative for this dystopian film meanders between the desert and 'Comfort,' a crime-free oasis of relative safety and tranquility operated by an elusive character named the Dream, played by Keanu Reeves. The Dream is a self-proclaimed shepherd of lost souls, providing sanctuary to those who can find their way to him. However, Comfort's psychedelic raves and ambiguous sermons make it apparent that this sanctuary isn't as benevolent as it seems.

The movie brings an atmosphere that's convincingly hopeless and yet strikingly colorful. Rarely is dystopia demonstrated with such bold vibrancy and palpable heat; the harsh desert daylight contrasts with the saturating colors of Comfort's evening parties, constructing a haunting and diverse landscape. From start to finish, cinematographer Lyle Vincent uses wide, sprawling shots to underline the vast, desolate landscape and the claustrophobic, vibrantly dangerous world of 'Comfort.' The majestic vastness of cinematography confirms the expansive environment of the lawless terrain, reinforcing the desolation and danger.

Stretched across this backdrop is a love story that emerges amid the harsh conditions. While it might look improbable and unorthodox at times, given the ruthless nature of the characters, it contributes to the narrative's unpredictable charm. Waterhouse and Momoa’s evolving relationship, characterized more by shared survivalism than traditional romance, takes us through twists and turns that keep the pulse of the movie intact. Their interactions and the unraveling bond offer moments of tranquility and heartfelt compassion in the midst of consistent brutality.

Music is a significant character in the movie, carrying the narrative forward and contributing to its eccentric ambiance. The eclectic mix of songs, ranging from electronic dance music to country and western, amplifies the on-screen action, providing a pulse to Amirpour's dystopian vision.

In essence, the Bad Batch is more of an experience than a conventional movie. It is a world where behavior is dictated by necessity, not morality. It’s a stark meditation on dystopian societies and survival mechanisms, brought to life by bold imagery, vibrant landscapes, and memorable performances. The film poses questions about morality, particular human conditions, and the lengths individuals can go in quest for survival.

The Bad Batch thus aligns itself along the lines of a genre mash-up, oscillating between horror, romance, art-house, and sci-fi, while remaining true to its dystopian roots. Grounded by strong performances and a distinct aesthetic, the film is a singular cinematic experience. The Bad Batch is not only an engaging blend of dark comedy and romance, but is also a thought-provoking exploration of societal structures and the human condition.