The Bargee

The Bargee is a classic British comedy-drama movie released in 1964. Directed by Duncan Wood, and written and performed by pioneering British comedians Ray Galton and Alan Simpson, it features notable actors such as Harry H. Corbett, Hugh Griffith, and Eric Sykes.

The film's protagonist is Hemel Pike, expertly played by Harry H. Corbett, who is known for his role on the popular sitcom Steptoe and Son. Hemel is a confident, light-hearted bargeman who plys the waterways between London and Birmingham on his canal barge known as 'The Gladys.' Hemel is a carefree soul, enjoying the simple life of a bachelor and the toddling pace of canal life. He makes a living by transporting goods along the canal and possesses an irresistible charm that attracts various women throughout the towns and hamlets his work takes him to.

Hemel's world significantly changes when he meets a desirable woman named Mary, portrayed by Julia Foster. Mary is presented as a sophisticated and intelligent woman, contrasting sharply with the roguish charm of Hemel. Their relationship’s progress forms the crux of the film plot, introducing tension, charm, and a fair share of laughter as Hemel attempts to balance his bachelor lifestyle with the charm of an endearing love interest.

Hugh Griffith portrays the role of Joe, Hem's father, who, despite his aged wisdom, is a similarly roguish and relentless womaniser, having fathered children all along England's canal routes. Gruff worldly advice flows from Joe, painting a picture of generational conviviality and serial philandering that makes for a comical sub-plot and adds depth to Hemel's character's background.

Eric Sykes, another luminary from the golden era of British comedy, plays the role of the barge owner, the constantly exasperated Mr. Galley. We witness Hemel and his equally cheeky barge-hand partner, Ronnie, memorably portrayed by Ronnie Barker, endlessly irritating their oblivious boss with their shenanigans and his increasing suspicion of their work ethic. It is indeed these fun-filled interactions that lend a light-hearted tone to the movie, conflating comedy with a slice-of-life depiction of the bargeman's life.

The Bargee ingeniously uses the unique canvas of the seldom-seen world of British canal barging, invoking a nostalgic panorama of a lost era of British working life. The film was shot along the Grand Union Canal, providing an extensive and charming backdrop portraying England's beautiful countryside, quaint, sleepy towns, and the pace of life that seems to have its unique rhythm.

The film's script offers an excellent blend of bricks-and-mortar realism, combined with classic British humor, which leaves a lasting impression on the viewer. The dialogue is sharp, witty, and heavily imbued with local nuances and English colloquialisms of the era, further immersing the viewer into the world of the British bargee.

The movie's storyline is well-crafted and paced, transitioning smoothly from casual day-to-day interactions to the more serious evolvement of Hemel’s relationships, capturing the sentimental struggles of a man caught between his habitual freedom and a life falling in love. Performances are expertly delivered, and every character, major or minor, adds a distinct touch to the overall storyline.

Beyond the funny repartee, The Bargee subtly comments on the dynamism of love, the constraints of societal norms, and the necessity for personal evolution. Its story is essentially about an individual who needs to choose between liberty or the warmth and stability of love, and this juxtaposition harmoniously blends in amusing humor. In the end, the movie invites its audience to reflect on the importance of growth, transformation, and acceptance as integral parts of life.

In summary, The Bargee is a delightful, whimsical slice of mid-1960s British comedy-drama that charms with its idyllic setting, witty script, and well-rounded characters. Whether it's the relatable tale of the protagonist, the excellent performances by the supporting cast, or the beautiful portrayal of the British landscape, the film offers a genuine snapshot of an era now well in the past, but remembered fondly for its innocence and simplicity. A must-watch for fans of golden age British cinema.