The Best House in London

The Best House in London is an engaging British comedy film, released in 1969. A blend of wit and charm, this movie satirically delves into the undercurrents of Victorian London, taking the trials and tribulations of its central characters and exploring themes around social class, morality, misunderstanding and mistaken identity. It is directed by Philip Saville and produced by Paramount British Pictures.

One of the notable aspects of the movie is the impressive cast. Acclaimed actor, David Hemmings, lauded for his roles in films such as "Blow Up" and "Gladiator,” delivers two memorable performances in this film. He plays a dual role with absolute panache - both Benjamin Oakes, a naive and principled government investigator, and Walter Leybourne, a cunning and charming brothel owner. This double act allows Hemmings to showcase his wide-ranging acting prowess, from the comically innocent to the sly and sophisticated.

Joanna Pettet, known for her work in films like Casino Royale, illuminates the screen as Josephine Pacefoot, a reformer with strong beliefs against vice, and who is determined to bring about change. Her spiritedness and resolve to make a difference is both heartening and offers a great contrast to the world of frivolity and hedonism the movie largely shows.

The film is graced by the veteran actor, George Sanders, often remembered for his roles in The Picture of Dorian Gray and All About Eve. Saunders plays Sir Francis Leybourne with great flair and lends an enriched depth to the narrative with his presence.

The Best House in London confines its narrative primarily within the walls of an unusual establishment—a brothel disguised as a care home for poor women. A lot of humor in the film arises from this imaginative setup, and leads to a myriad of comedic situations, packed with the right level of absurdity and amusement.

In its essence, the movie deals with a unique assignment handed over by the British Parliament to Benjamin Oakes—that is to look into the vice and corruption proliferating in London's brothels and to cleanse the city of such immoral activities. Oakes, prioritizing good over evil, enters the lion’s den unaware of the surprises, shocks, and shenanigans awaiting him.

The plot twists and turns and often hinges on mistaken identities and surprise revelations. It maneuvers these elements with lighthearted hilarity, thereby ensuring a joy ride for the viewers. All the while, under the veneer of its comedic trappings, the film manages to offer commentary on the societal norms and double standards prevalent in Victorian London.

The screenplay by Denis Norden, an acclaimed British comedy writer, should be praised for providing the audiences with regular generous doses of humour, while containing subtle sarcasm targeting the authority figures of that era.

The aesthetics of the Victorian era are well captured in the film, thanks to the detailed art and production design, and beautiful costume designing. The meticulous recreation of 19th-century London provides an authentic backdrop to this entertaining farce. Not to forget the foot-tapping music score that adds drama and a distinct mood in each scene, enhancing the overall viewing experience.

The Best House in London is a film that certainly demands a viewing for its entertaining storyline, brilliant performances, and the charismatic portrayal of a different era. It’s a delightful pastiche of situational comedy and satirical touches, all set in the entertaining world of Victorian high society and seedy underbelly. The movie's direction, writing, and performances all work together to create a beautifully filmed and humorous tale with a different and a unique perspective of London.

Whether you're a fan of timeless British humor, appreciate well-rounded performances, or just enjoy indulging in classic cinema, The Best House in London certainly makes for an entertaining watch. With its clever plot, captivating performances, and a fascinating glimpse into Victorian society, this movie surely holds its own and stands the test of time. It's a delightful reminder of the golden age of British comedy and a testament to the talents of its commendable cast and crew.