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The Big Chop

Where to Watch The Big Chop

2016

The Big Chop is a 2016 short film directed by Derek Dow and written by Alisha Cowan. It showcases the commendable talents of actor Simone Missick best known for her role as Mercedes "Misty" Knight in the Marvel series Luke Cage. The movie, a unique blend of comedy and drama, takes a focused look at the contentious, yet warmly familiar arena of a woman's relationship with her hair. The humorous tint offers a gentle approach to very direct discourse that subtly highlights the subject of black beauty norms and self-love. It charmingly layers the narrative with nuance while upholding an inclusive conversation about beauty and identity among African-American women.

The Big Chop follows 10 years in the life of Kris, portrayed by Simone Missick. Kris pertinently represents an African-American woman who struggles with societal and personal perceptions of beauty. The conflict arises when Kris decides to transition from processed hair to natural. Coinciding with the movie's light-hearted approach, the tumultuous journey is humorously represented metaphorically by 'going gutsy with the chop'. In the process of negating society's imposed standards, Kris explores her self's duality through her decision to embrace what is naturally hers, thus threading the narrative with potent perspectives and relatable sentiments.

Chinedu Unaka plays the role of Kris's partner, who becomes an unwittingly pivotal character in the journey. Despite his comic relief role, Unaka subtly delivers a nuanced performance articulating the inadvertent influence of loved ones and their reactions to the subject's changes. The movie also presents a younger version of Kris, beautifully portrayed by newcomer McKenzie Franklin. The character's innocent nature provides the film with a refreshing zest and perfectly exemplifies the younger days of many African-American women who begin a quest for beauty standards imposed upon them by society.

The plot is devised to encapsulate an overarching theme of self-acceptance in ways that resonate acutely with the audience. It deftly explores decisive phases of Kris's life emphasized with a natural hair journey while integrating the broader narrative about societal and self-perception of beauty. The Big Chop smudges the line between comedy and emotional drama and incorporates elements of romance, courage, and life-defining moments; this is a storytelling strategy that masterfully places a mirror before society's imposed beauty standards.

This film also parallels the aesthetic transitions with emotional growth and the simultaneous evolution of Kris's self-identity. In its own charming way, it examines the societal norms, particularly those set for women of color, and conveys a potent message about self-appreciation and acceptance, encouraging the audience to examine their beauty standards. The indie movie with its 15-minute duration manages to make a statement using a refreshing, engaging narrative illustrative of its innovative storytelling artistry.

The narrative unfolds with aplomb through its engaging storytelling, witty dialogues, and unforgettable performances. The Big Chop possesses an underlying form of brilliance, which is primarily due to its ability to combine humor with a significant message. Its balance of light-hearted quips with deeply-embedded societal commentary impressively crafts a narrative that's both engaging and resonating.

Simone Missick delivers a masterful performance as Kris. Although it is a short film, her role is complex and fully realized. Missick illustrates each phase of Kris's evolution with a deftness that speaks to her talent and insight; she deftly conveys the nuances and emotions of her character in her journey towards self-affirmation and discovery.

The Big Chop might not be a feature-length film, but it is no less potent and thought-provoking. It asserts that appreciating one's natural beauty is an empowering journey of self-love, strength, and acceptance. At the same time, it posits that while the pathway to acceptance may be challenging, it is always fulfilling. Merging comedy, drama, and social commentary, The Big Chop offers a fresh, nuanced take on beauty norms and self-discovery that makes for an engaging, resonating watch.

The Big Chop is a Comedy, Short movie released in 2016. It has a runtime of 16 min. Critics and viewers have rated it mostly positive reviews, with an IMDb score of 7.9..

7.9/10
Director
Derek D. Dow
Stars
Simone Missick, Aliyah Conley, McKenzie Franklin
Genres
Also starring Simone Missick