The Blood of Hussain

The Blood of Hussain is a 1980 political drama film that embodies the seismic socio-political changes occurring in Pakistan under the rule of General Zia-ul-Haq. Directed by the renowned Jamil Dehlavi, this English-language film stars Salmaan Peerzada, Kika Markham, and Durriya Kazi in pivotal roles. The film grabs the audience with its remarkable character representations, the intricate storylining of extreme climates, and its profound societal commentary on the political and social conditions prevalent during that time in Pakistan.

The film commences in ancient times, recounting the tragic martyrdom of Hussain, the grandson of the Prophet Mohammed during the Battle of Karbala. This historical tale serves as an allegory and a foreshadowing device to launch into the main narrative of the film, which is set in 1979 contemporary Pakistan.

The primary narrative arc of the film revolves around the intricate lives of two brothers, the dutiful and obedient elder brother, Safdar (played by Salmaan Peerzada), a feudal landlord, and the younger, the rebellious Hussain (also portrayed by Salmaan Peerzada). However, their lives crumble as Hussain forays into a revolution against the psychological and physical injustices inflicted upon the marginalized sections of the society by the authoritarian regime. This uprising is a symbol of the seismic agitation and the turmoil the nation itself was undergoing.

Meanwhile, Safdar, embroiled in a matrimonial alliance with Anne (played by Kika Markham), an Englishwoman, adopts a nonchalant stance towards the political happenings around him. The portrayal of this multicultural relationship remarked on the cultural dialogue and the issues spurring amidst this clash and fusion of East and West. Intertwining these narratives, the director poignantly projects the socio-political tumult in Pakistan.

The film is a compelling blend of historical references, spiritual elements, and sociopolitical commentary. The story also delivers a striking allegorical contrast between the physical and metaphorical thirst for justice, referring to the incident in Karbaba where Hussain and his followers were deprived of water. This hint of spiritual symbolism is artistically intertwined within the main narrative.

Durriya Kazi beautifully plays the character of Zainab, who forms the crucial bridge between the ancient tale and the contemporary narrative. Zainab epitomizes resilience and serves as a powerful representation of women's struggles and barriers they faced in the society of that time.

The film's most intriguing aspect is its ability to blur past and present, intermingling historical mythical narratives and current political realities. It uses stark visual imagery to create an impactful political discourse that interrogates the imbalance of power, the struggle for democracy, and the brutalities suffered by the common people.

The cast delivers notable performances, especially Salmaan Peerzada, who essays the dual roles of Safdar and Hussain with immense conviction and subtlety. His performance encapsulates the dichotomy between the complacency of Safdar and the disruptive rage of Hussain. Meanwhile, Kika Markham deserves mention for her daring portrayal of a foreign woman navigating the cultural intricacies of Pakistani society.

Additionally, exceptional cinematography captures the rural landscapes and urban struggle in Pakistan, enhancing the visual appeal of the film. The director utilizes long shots and close-ups to emphasize the vast discrepancy between the rich and the poor. The pacing of the film is expertly maintained, with carefully timed revelations and dialogues contributing to the film's rising tension.

The Blood of Hussain, although centered around a specific political era in Pakistan's history, is a universal tale of resistance against oppression. The film was banned in Pakistan shortly after its initial release, as its story was coincidentally paralleled with the actual political events evolving in the country. Though it generated considerable controversy, the film’s ability to critique societal power structures and address deep-seated issues resonated with audiences around the globe.

Despite the controversy, The Blood of Hussain remains a landmark in the history of Pakistani cinema – fearless in its commentary and fearless in its storytelling. Notable for its performances and intense narrative, the film is a masterful interpretation of historical events shaping the present, offering a profound critique of political injustice and societal disparities. It remains an ever-relevant, thought-provoking piece of cinema that rings true beyond its particular time and place.