The Book of Birdie

The Book of Birdie is an independent 2017 movie directed by Elizabeth E. Schuch, full of suspense and mystery. This British fantasy-horror flick notably features Suzan Crowley, Ilirida Memedovski, and Kymberly Mellen, giving outstanding performances that make the viewer delve deeper into the enigmatic world of Birdie.

The film revolves around a young girl named Birdie, played compellingly by Ilirida Memedovski. As the main character, Birdie is a fragile introverted teenager sent to live with her two grandmothers at St. Annes, an isolated and dessicated convent, following a mysterious incident. Despite the gloom, the convent and the complex relations within its archaic walls eventually becomes her unexpected refuge. However, as she begins her new life, the film takes a dark turn as Birdie starts seeing a series of grotesque, tiptoeing shadows moving around this desolate, raw, and antiquated place.

Suzan Crowley, known formidably as a veteran in the realm of horror cinema with her appearance in 'The Devil Inside,' cascades into this narrative by playing the character of Mother Superior. She delivers an unnerving performance, providing an ambience of scrutiny and sanctity, while preserving the discomfort necessary to the ominous undertones of the story. Crowley undeniably controls the tone of her eerie surroundings with absolute poise and dexterity.

Adding to this strange and cloistered world is Kymberly Mellen as Sister Veronica, who brings a touch of tenderness and warmth to the tale, albeit cloaked in her own hidden fears. Her performance brilliantly balances the cold austerity of the cloister while manifesting the inherent humanity of her character.

The contrast between the increasingly hallucinogenic adventures of Birdie amidst the austerity of her environment provides the film with its distinctive flair. As Birdie confronts her deeply unsettling visions and finds solace in her mysterious, sacred book, she delves deeper into personal and supernatural territory. The narrative concocts a rich blend of macabre mystique, religion, and transcendence.

Throughout The Book of Birdie, Birdie continues to explore her idiosyncratic visions and begins drawing into her book, sketching the bloody mysteries that appear to come to life – hence the movie’s eponymous title. It's an interesting take on the concept of self-actualization through creativity and the truth of one's macabre artistic creations. Memedovski delivers the depiction of trauma, mystical experiences, and metamorphosis with utmost conviction and ease.

In this evocative drama, memorable is the austere and evocative cinematography which pivots the story significantly and lends it a dreamlike, ethereal quality. The film's credit also goes to the director, Elizabeth E. Schuch, who skillfully builds suspense and creates an atmosphere of palpable dread combined with spooky aesthetics, making the audience feel the secluded, eerie world she has built.

Further amplifying the eerie ambiance is the film's unpredictable and atmospheric sound design that channels the inner turmoil of our young protagonist whilst enhancing the unforeseen turns of events to come.

The Book of Birdie thus masterfully weaves horror and fantasy through the journey of a young girl coming to terms with her own trauma whilst battling unseen, malevolent forces. It explores themes of womanhood, adolescence, fanaticism, eccentric art, and the interplay of religion and superstition in an intimate perspective.

In conclusion, The Book of Birdie is a hauntingly beguiling film that artistically combines horror and coming-of-age journey with a unique touch, leaving viewers with lingering thoughts on the shades of adolescence, religion, and the power of creative expression.

If you are a fan of surreal, imaginative horror interspersed with poignant moments of self-discovery this is a unique gem to discover. One thing is for sure, after watching this film, you will remember the name - Birdie.