The Calling

The Calling is a British drama film released in 2009, directed by Jan Dunn and designated as a moving and sensitive exploration of faith and devotion, a rare topic much needed in our contemporary cinema. The movie stars Brenda Blethyn, Emily Beecham, and Susannah York. It offers an intimate portrait of a woman who delivers a fresh infusion of quiet fortitude but all in vain to a hidebound institution.

"The Calling" brings forth a young woman's spiritual journey as she chooses a path less traveled in modern society: dedicating her life to God. It is a beautifully crafted narrative of self-discovery driven by the religious desires and ambitions of the main character, which are portrayed with emotional depth and a sublime touch of humanity.

The heart and soul of the movie is Joanna, a character championed by Emily Beecham, delivering an outstanding performance. Joanna, a university graduate, is drawn towards the spiritual life of a nun against the backdrop of a society that finds her decision odd and unconventional. Her unorthodox desire is beautifully outlined and contrasted with the traditional expectations of her contemporaries and the secular, materialistic society around her.

A two-time Oscar nominee, Brenda Blethyn plays the role of Sister Ignatious, an established nun in the convent Joanna chooses to join. Blethyn provides a mesmerizing and honest performance showcasing the life, struggles, and aspirations of the nun, illuminating her character with warmth and wisdom. In her portrayal of Sister Ignatious, Blethyn brings to life a character whose rigidity seems stern but is surprisingly tender and nurturing under the surface.

Susannah York plays the forceful Mother Superior, who is tasked with guiding and instructing Joanna and her fellow novices. York's character is steeped in the comforts of old beliefs and traditions, and she views Joanna's entrance into the religious life with skepticism and doubt. York delivers a powerful performance, often antagonistic, creating tension and providing a narrative contrast to the illuminating faith Joanna shows.

Joanna’s decision tests her relationships with friends and family who fail to comprehend why a young woman in her prime would choose a path secluded from regular pleasures of life. Contrarily, to her, the call to serve God is more fulfilling than any worldly enjoyment.

The film strikes an excellent balance between the drama of social and interpersonal relationships with nuanced elements of spirituality and faith exploration. It also does an excellent job of demonstrating the interplay between personal conviction, societal expectations, familial pressures, and religious duties.

"The Calling" is not solely about religious devotion. Instead, it's about personal freedom—the right to follow one's heart, regardless of whether the path it leads down adheres to society's conventions. It embarks upon Joanna’s journey to determine how she can rectify her initial naivety with her almost rebellious determination, making us question our understanding and stereotypical expectations of such unconventional desires.

Shot entirely on location in Kent, the movie's breathtaking cinematography captures the serenity, calm, and peace that the life of being a nun offers. The spiritual solitude is further heightened by the evocative score that carries the narrative forward. The film's imagery and muted color palette further add a stark realism to Joanna's story, elevating her personal journey aesthetically.

"The Calling" is a deeply thought-provoking film that allows viewers to ponder over existential questions of faith, sacrifice, and commitment within a narrative framework. It paints a vivid picture of a character who passionately follows an unorthodox path, challenging societal norms while navigating her personal transformation. The movie raises profound questions about faith, personal freedom, and our capacity to choose our path in life, making it a compelling watch for those seeking philosophical depths in cinema.