The Concessionaires Must Die!

The Concessionaires Must Die! is a 2017 independent comedy film that beautifully blends elements of pop culture, friendship, and the age-old story of good versus evil. Directed by America Young and written by Sam McCoy, the film is a delightful celebration of the joys, quirks, and struggles of geek culture. The movie stars David Blue, Talia Tabin, John M. Keating, Zakareth Ruben, and Cosondra Sjostrom in prominent roles.

The plot revolves around the staff of a cinema that stands as a bastion for old-school film lovers in an increasingly digital world. The workers are more than just work mates – they're a band of cinephile outcasts who revel in their mutual love for Star Wars, comic books, and everything geeky. Among the theater staff is Scott Frakes (David Blue), a passionate sci-fi buff whose life revolves around the theater, Ruby (Talia Tabin), a quirky comic enthusiast who's also Scott's love interest, Rick (John M. Keating), an independent filmmaker, DC (Zakareth Ruben), a comic-book expert and cosplayer and PJ (Cosondra Sjostrom), a gamer.

Throughout their day-to-day activities, their world revolves around their jittery boss, Mr. Pike (Barry Bostwick), heated arguments about Star Wars, and the camaraderie they share through frequent Dungeons and Dragons games. However, their peaceful universe is thrown into chaos with the looming threat of a mega multiplex set to open nearby. As the threat intensifies, they are compelled to band together to save their beloved theater.

The script beautifully caters to the modern zeitgeist, portraying a contemporary immersion in geek and fan culture. It balances the theater staff's lighthearted banter and their shared fear of facing the real world with affecting depth and charm. It brims with pop culture references, nods to fan-favorite franchises, and the unique humor and language of the fandom world. With its quick pace and snuzzy dialogue, the script highlights the battle between analog and digital, nostalgia and progress, reality and fantasy.

David Blue’s performance stands out astoundingly as Scott, the Star Trek enthusiast who is forced to come to terms with the acceptance of change. Talia Tabin's Ruby makes a strong impression thanks to her comic timing and charm. John M. Keating makes his mark as the ambitious and sincere filmmaker, Rick. Meanwhile, Zakareth Ruben nicely portrays the dedicated commitment of a hardcore comic book fan in DC. Cosondra Sjostrom adds depth to the story as a committed gamer and an indispensable member of the group.

The Concessionaires Must Die! sheds light on the changing perception of geek culture worldwide. It also introduces a heart-touching narrative about camaraderie, resilience, transformation, and passionate pursuits. The film is set in a single location, the Starlite Cinema, enhancing its intimate appeal. With a soundtrack perfectly suited to the movie and picturesque cinematography, this film enlivens the charm of the silver screen's old world.

In essence, The Concessionaires Must Die! is a loving tribute to the spirit of cinema, the power of fandom, and the irresistible charm of pop culture. It's a stylish, witty, and engaging comedy-drama for every cinephile, comic lover, or fan-boy/girl, guaranteed to leave you with a warm, nostalgic glow. The movie is a fun-filled journey that explores themes of self-discovery, friendship, and the power of community, all against the backdrop of a beloved independent cinema facing an existential threat.

It promotes the message that progress is inevitable, but old doesn't always necessarily need to give way to new. Instead, both can coexist and create a unique blend, just as film reels and digital screening do today.

The Concessionaires Must Die! with its loveable characters, hilarious moments, and endearing narrative undoubtedly creates an entertaining cinematic experience that resonates with anyone who has ever felt a deep connection to a place or a community. Whether you are a movie buff or not, this film will surely leave a lasting impression and a sense of nostalgia for the simpler times of traditional cinema.