The Decent One

The Decent One is an eye-opening 2014 documentary that delves into the enigmatic, dark, and complex character of Heinrich Himmler, one of the most infamous figures of Nazi Germany. With enthralling performances by Tobias Moretti, Sophie Rois, and Antonia Moretti, this gripping piece is the brainchild of Vanessa Lapa, a passionate Israeli documentary filmmaker.

The Decent One is named after the literal translation of "Der Anständige", a term frequently used by Himmler to describe exactly what he thought a decent, good German should be. This film doesn't sit comfortably with easy or conventional understandings. Instead, it challenges and provokes its audience by presenting an intimate portrayal of Himmler, away from his widely known characterization as the Architect of Genocide.

The narrative thread of The Decent One is woven through a remarkable selection of letters, journals, and photographs. These were found in Himmler's house at the end of World War II and had been hidden away in Tel Aviv for many years before being brought to light for this film. This primary source material exposes previously unseen aspects of Himmler's personal and professional life, creating a well-rounded, intimate, and often chilling, view of the man behind the monstrous crimes.

Tobias Moretti voices the thoughts of Himmler, beautifully closing the gap between the past and the present, ensuring that the audience feels each word with the gravity it deserves. Sophie Rois convincingly lends her voice to Margarete, Himmler's wife, and Antonia Moretti is the voice of their daughter, Gudrun. The performances from the voice actors are subtle yet gripping, transforming the letters and diary entries from mere words on a page to the disturbing insights of a twisted mind.

The Decent One is less about the historical events of Nazi Germany and more focused on the psychological exploration of a man often viewed as nothing more than a faceless monster. Himmler is portrayed in his most private moments, as a husband, father, and man obsessed with racial purity. Remarkably, the film does not overtly judge Himmler. Rather, it presents his thoughts and experiences, ranging from banal to brutal, for the audience to draw its own conclusions.

Unlike typical documentaries, The Decent One does not feature any talking heads or experts dissecting events. Instead, the film lets Himmler narrate his life as seen through his peculiar lens. Combined with powerful visuals, including a treasure trove of archival footage and images, the film offers a chilling portrait of absolute power and cold rationality devoid of any empathy or humanity.

Behind the meticulously detailed historical reenactments, the real triumph is in making this journey personal. The film is successful in submitting primary documentary evidence into the rhetoric of history, amplifying the voices of the past. With austere visuals and intense voice-overs, viewers are invited to a firsthand exploration of an unsettling era of human history.

The film's main strength is its skillful use of sound effects, atmospheric music, and the voice actors' performances to create a tone that reflects the grim subject matter. It creates an unnerving, surreal world where the line between normalcy and atrocity is both clear and distorted.

While The Decent One may be a disturbing watch for many, its ability to beckon audience introspection makes it compelling viewing. It is not merely an account of an individual's life; it's an exploration of the inherent complexities of human nature and the frightening ease with which normality can morph into something terribly inhumane.

A thoughtful, well-crafted documentary, The Decent One serves as a reminder of the atrocities human beings are capable of under certain circumstances. Its informative exploration into Himmler's mind presents a unique perspective into one of the darkest periods in our history, raising questions about power, fanaticism, and the human capacity for cruelty.

Ultimately, this film challenges viewers to consider their understanding of the past, urging them not to simplify, but to really grapple with the complexities of human nature. The Decent One is significant, not just for history buffs or World War II enthusiasts, but for anyone with an interest in understanding the human condition.