The Eleven O'Clock

The Eleven O'Clock is a critically acclaimed Australian short film that came out in 2016. Directed and co-written by Derin Seale, co-written by Josh Lawson, and produced by Karen Bryson, the film is an incredibly intriguing comedy-drama that questions the perception of reality under the guise of a seemingly ordinary psychiatrist-patient session.

The story centers around two characters who are engaged in a captivating psychological stand-off. Thespian Josh Lawson, also known for his roles in Superstore and Anchorman 2, and premier Australian actor Damon Herriman, lauded for his performances in Breaking Bad, Justified, and Mindhunter, contribute to a dueling match that keeps the audience guessing throughout the film.

Lawson plays a character who is believed to be the psychiatrist, while Herriman embodies the seemingly troubled patient scheduled for his eleven o'clock appointment. The film becomes an intense power struggle as the two men start debating their identities, each one strongly asserting that he is the psychiatrist and the other the delusional patient. This narrative thread sets the stage for a humorous and witty exploration of mistaken identities, with the line between doctor and patient becoming blurrier with each passing minute.

The story assumes various angles and interpretations as the intended therapy session becomes increasingly murky. Herriman and Lawson deliver stellar performances, exchanging quick, sharp, perfectly timed dialogues laced with a poker-faced humor that truly highlights the theme and narrative of The Eleven O'Clock. Their compelling performances, combined with the deft direction and engaging script, keep the viewers hooked.

The humor in The Eleven O'Clock is highly intelligent, and its riveting dialogue is a treasure trove of wit and irony. The movie beautifully uses the comedy of confusion, turning a potentially typical therapy session into a whirlwind of mistaken identities, misconstrued realities, and humorous conflict. This tongue-in-cheek humor aligns perfectly with the underlying themes of mental health and identity, leaving viewers pondering the nature of reality long after the movie ends.

Adding a contrast to the film's comedic setup is Jessica Wren, who puts up an enduring performance as the bewildered receptionist, caught in the ensuing madness. Her character provides an important perspective, grounding the narrative and reminding the audience of the reality outside of the consulting room.

Filmed entirely in Sydney, the movie's cinematography and production design vividly compliment its narrative scope. The film does not rely on grand sets or picturesque locations, but rather, the action unfolds in the confines of a psychiatrist's office. This setting further exacerbates the claustrophobic setting and symbolizes the mental struggle and the endless loop of confusions that both main characters go through.

The Eleven O'Clock shines not only for its smart writing and remarkable performances, but also for the many accolades it has earned. The movie won Best Short Film at the 2017 AACTA Awards and was also nominated for Best Live Action Short Film at the 90th Academy Awards. This recognition broadly attests to the film's compelling plot, top-notch performances, and artistic merit.

In conclusion, The Eleven O'Clock carries a comedic yet thought-provoking narrative, astutely using humor as a medium to explore issues of identity and mental health. Its psychological sparring between the two main characters provides an engaging exploration of the blurred lines between reality and delusion. With its brilliant performances, sharp dialogues, and intriguing premise, The Eleven O'Clock is more than what it initially appears, delivering a memorable cinematic experience for lovers of thought-provoking comedy and psychological drama.