The Front

The Front is a compelling film set in the era of the Hollywood Blacklist, a tragic time in American history when the government unjustly accused many creative and intelligent individuals in the entertainment industry of being communists. Directed by Martin Ritt and written by Walter Bernstein, both of whom had firsthand experiences of being blacklisted during the 1950s, this film is not simply a historical drama; it is a personal testament of a dark period in Hollywood's past, filled with humor, drama, and an underlying critique of the period of McCarthyism.

Woody Allen, famously known for his comedic roles and directorial prowess, delivers a powerful performance in a relatively serious role as Howard Prince, a small-time cashier and part-time bookie. The plot thickens when Howard's old friend, a blacklisted television writer, and his colleagues approach him for a favor. The favor being asked of him is to act as their "front"—someone who would assume the role of the writer and sell their scripts to the studios, considering the writers themselves were barred from doing so because of their supposed communist associations.

The narrative further unfolds as Allen's character, initially just an opportunist, is faced with the moral complexity of the situation. He develops awareness and empathy for those suffering due to the oppressive government policies of the time, channeling a depth that often remains unseen in many of his other roles.

Zero Mostel, playing the vibrant and emotional Hecky Brown, brings another layer of depth and tragedy to the film. Hecky, a once-popular actor, now sees his career and life spiral down as he is also targeted in the communist hunt. The camaraderie between Woody Allen's character, Howard, and Zero Mostel’s character, Hecky, allows the film to demonstrate the devastating personal and professional consequences that the Hollywood blacklist had on the entertainment industry professionals’ lives.

Backing up these brilliant performances is Herschel Bernardi, who plays the menacing investigator. Bernardi's portrayal of an unyielding and ruthless agent provides a face for the nameless and faceless government operation running the communist witch hunt.

Filmmaker Martin Ritt’s experience of being blacklisted himself breathes authenticity into the storyline. There's an underlying tone of personal justice flowing through the veins of this film. It criticizes the explicit discrimination and injustice that thrived during the Hollywood Blacklist, providing an underlying social commentary on these historical events.

While heavy with drama, The Front doesn't shy away from the distinctive brand of humor that Woody Allen brings into the equation. It offers moments of levity that provide a relief from the tense narrative, showcasing Allen's signature self-deprecating humor and comedic timing to balance the seriousness of the subject matter.

Despite being a movie that comments on a specific incident of paranoia in American history, The Front still maintains relevance today. Its poignant depiction of a society blinded by fear and quick to cast blame upon others throws light upon how hysteria can often lead to substantial personal and social consequences. The film essentially invites viewers to witness the personal and professional impacts of this historical period.

The screenplay, penned by Walter Bernstein, also a victim of blacklisting, is tight and poignant, featuring sharp dialogue that delivers both humor and heart-reaching drama. Its underlying message of standing up against injustice, and an innocent man's slower awakening to the plight of those around him, is beautifully portrayed.

Overall, The Front is a compelling watch - part historical drama, part social commentary, and part comedy. It offers a unique and personal depiction of the Hollywood Blacklist period that beautifully walks the tightrope between humor and pathos. Its standout performances and relevant themes transcend time, making it a must-watch for everyone, not just fans of Allen or those interested in Hollywood history.